Music Scores selected by Composer/Arranger

from the Library of the
North East of Scotland Music School

Wednesday 7th December 2022

Search limited to letter 'M'

MacCunn, Hamish (1868-1916) Scottish

The ash tree: song {17/364-4 : No. 1 in F}

The auld fisher {17/364-1 b : C min}

The auld fisher {17/364-1 a}

Jock o' Hazeldean {17/364-5 : [No. 1 in] Eb}

Lie there, my lute: song {17/364-3 : No. 1 in Ab}

My Nannie's awa' {17/364-2}

MacDowell, Edward (1861-1908) American

Hexentanz Op. 17 No. 2 {p. solo: 21/225-2}

New England idyls Op. 62 {p. solo: 21/225-5}

Sea pieces Op. 55 {p. solo: 21/225-6}

Selected songs: [7 songs] {09/117 : No. 2 high v.}

Shadow dance Op. 39 no. 8 {p. solo: 21/225-1(8)}

Six poems Op. 31 {p. solo: 21/225-3}

To a wild rose Op. 51 No. 1: transc. for cello & piano [MacDowell-Klengel] {set 33/046}

To a wild rose Op. 51 No. 1 {17/365 : No. 3 in G #b) score only}

Transcriptions for the organ 1st Ser. {40/154(1)}

Woodland sketches Op. 51 Bk 1: [5 pieces] {p. solo: 21/225-4(1)}

Woodland sketches Op. 51 Bk 2: [5 pieces] {p. solo: 21/225-4(2)}

Macey, Alan (19th-20th c.) American

The flag we love {17/366}

MacFarlane, Alexander (Sandy) (19th-20th c.) Scottish

Granny's Highland hame {p. voc. + sol-fa 17/367 a-b : 3 copies}

Macfarren, George Alexander (Sir) (1813-1887) English

Belshazzar: oratorio [Handel-Macfarren] {Novello, Ewer: 08/027-2.5 b}

St John the Baptist: oratorio {Stanley Lucas, Weber: 08/041}

Macfarren, Walter (1826-1905) English

The comprehensive scale & arpeggio manual: newly enlarged ed. with 3rd Appendix {p. solo: 23/029 a : Eng. fingering}

The comprehensive scale & arpeggio manual: newly enlarged ed. with 3rd Appendix {p. solo: 23/029 b : Continental fingering}

Preliminary scales & arpeggios {p. solo: 23/029-2 : Continental fingering}

Mackeben, Theo (1897-1953) German

The Dubarry: musical comedy romance (acting edition) [Millöcker-Mackeben / Grun] {libr. 03/085}

I give my heart: song [Millöcker-Mackeben] {17/402}

Mackenzie, Alexander Campbell (Sir) (1847-1935) Scottish

Gentle dove, thy voice is sad {from Colomba}: vocero {10/045-8.2[2]}

Mackenzie, Andrew (19th-20th c.) Scottish

Kenneth McKellar's book of Scottish songs: [51 songs] {10/017-2}

A song of Scotland: [32 songs] {10/017-3}

Mackenzie-Murdoch, William (1871-1923) Scottish

Clach-na-cuddin: Scottish fantasia {violin & piano: set 28/034-1}

Hame o' mine: Scottish song {17/422 : No. 2 in C}

Redgauntlet: Scotch fantasia {violin & piano: set 28/034-2}

MacLachlan, Thomas Robin (1901-1999) Canadian

Over the hills {p. solo: 21/225.3}

MacLeish, Ian (20th c.) Scottish

Baldovan set dances: jig, reel, strathspey [Low-MacLeish] {p. solo: 20/213}

Lovely Stornoway [Kennedy-MacLeish] {p. voc. + sol-fa 17/314-1}

O ho ro, mo chailin donn [Cameron-MacLeish] {p. voc. + sol-fa 17/109.8}

The road and the miles to Dundee [Kennedy-MacLeish] {p. voc. + sol-fa 17/314}

A Scottish waltz {p. solo: 21/225}

MacLellan, Gene (1938-1995) Canadian

Snowbird {17/371.5}

MacLeod, Anne Campbell (1855-1921) Scottish

Skye boat song {from Songs of the North}: duet [MacLeod-Lawson] {18/083 : in G}

MacLeod, Robert Scottish

A Highland pastoral (Duanag na h-airigh) {17/372-1 : [No. 2 in] E min}

Oor ain glen {17/372-2 : [No. 3 in] Ab}

MacMurrough, Dermot (19th-20th c.) Irish

Macushla: song {17/374 a-b : 2 copies : No. 1 in F}

MacPherson, Charles (1870-1927) English

Prelude {from A little organ book}: [short voluntary for the organ] {40/157}

MacQuarrie, Archibald Scottish

Scotland for ever: song {17/375 a-b : 2 copies}

Maddy, Joseph Edgar (1892-1966) American

Foursomes: basic ensemble training for strings, woodwind, brass {set 42/100-2 c : Bb trumpets (cornets) 1-4}

Foursomes: basic ensemble training for strings, woodwind, brass {set 42/100-2 a-b : 2 copies : trombones (baritone-euphonium)}

Primotones: basic ensemble exercises for strings, woodwind, brass {set 42/100-1}

Magnus, Désiré (1828-1883) Belgian

The celebrated barcarolle from The Tales of Hoffmann [Offenbach-Magnus] {p. solo: 21/262.5-3}

Mahler, Gustav (1860-1911) Austrian

Des Knaben Wunderhorn and the Rückert Lieder: [29 songs] {09/117-3}

Kinder-Totenlieder (Songs on the Death of Children): [5 songs] {09/117-1 : med. v.}

Lieder eines fahrenden Gesellen (Songs of a wayfarer): [4 songs] {09/117-2 : med. v.}

Vierzehn Lieder aus Des Knaben Wunderhorn {09/117-4}

Maillart, Louis-Aimé (1817-1871) French

Das Glöckchen des Eremiten [Maillart-Liftl] {p. duet: 22/060-2(4)[2]}

Main, Nan (20th c.) Scottish

The Lifeboat dances {p. solo: 20/215}

Makeben, Theo (1897-1953) German

see Mackeben, Theo

Malashkin, Leonid Dimitrievich (1842-1902) Russian

Oh, could I but express in song {17/376 : low v. (C# min)}

Malcolm, George John (1917-1997) English

Bach before the mast {p. solo: 21/225.3}

Malemberg, Carl (19th c.)

Sylvine: bourrée {p. solo: 21/225.5-1}

Malipiero, Gian Francesco (1882-1973) Italian

Cinque studi per domani {p. solo: 21/226-1}

Hortus conclusus 1 {p. solo: 21/226-2}

Mallinson, James Albert (1870-1946) English

Sing! break into song! (Sing! stimm an das Lied!) {17/378}

Snowflakes (Schneeflocken) {17/378-2}

Song album no. 3: [10 songs] {10/089[19] : low v.}

Song album vol. 3 for low v.: [10 songs] {09/119(3)}

Song album vol. 8 for high v.: My garden: song cycle [7 songs] {09/119(8)}

Malotte, Albert Hay (1895-1964) American

Blow me eyes!: song {17/380-1}

The Lord's prayer: musical settng {17/380-2 c : No. 4 in Eb}

The Lord's prayer: musical settng {17/380-2 a-b : 2 copies : No. 1 in Bb}

The Lord's prayer: voice & piano {17/380-2 d : 2 copies : No. 5 in Eb (high)}

The Lord's prayer: voice & piano {17/380-2 e : med v.: C}

Manelli, P

Sweet Rosemary: waltz [Bonheur-Manelli] {p. solo: 16/050-2 [5]}

Manhire, Wilson (1884-1942) English

Morning song {violin & piano: set 28/035-1 #lacks score}

Twilight song {violin & piano: set 28/035-2}

Mansfield, Orlando Augustine (1863-1936) English

Dance of the hours (La Gioconda) [Ponchielli-Mansfield] {p. solo: 21/281 b}

Mansfield, Purcell James (1889-1968) English

Poëm Op. 41 [Fibich-Mansfield] {organ: 40/095}

Marcello, Benedetto (1686-1739) Italian

Largo and allegretto for oboe and piano [Marcello-Rothwell] {set 36/052.5-2}

Largo e Allegretto [Marcello-Rothwell] {oboe & piano: set 36/052.5 #lacks oboe part}

Six sonatas: for violoncello (or bass) & piano {set 33/047-2 #cello/bass parts only}

Sonata in B flat: for violin (or flute) & piano {28/031.5}

[Sonatas by Marcello and Grazioli] {cello & piano: set 33/047-3}

Sonate in E moll {cello & piano: set 33/047-3[1]}

Two sonatas {cello & piano: set 33/047-1 a-b : 2 copies}

March, Mrs (Mary Anne) Virginia (1825-1877) English

see Gabriel, Virginia

Marchesi, Mathilde (1821-1913) German

Theoretical and practical vocal method {19/036}

Marchesi, Salvatore (1822-1908) Italian

Sixteen song studies (vocalises) Op. 31: eight for one v., eight for two & three v. {19/037}

Marchetti, Filippo D (1881-1902) Italian

Fascination [Marchetti-Sandler] {violin & piano: set 28/031.7}

Marciano, Ernesto (1869-1930) Italian

Marcia turca {dalla Sonata in LA maggiore} [Mozart-Marciano] {Ricordi: p. duet: 22/032-6}

Mareo, Eric (1892-1958) Australian

The face of a friend: song {p. voc. + sol-fa 17/382-2}

For the sake of you: song {17/382}

Margetson, Edward John (1860-1907) English

Tommy, lad!: song {10/045-7[7] : No. 3 in Eb}

Marks, James Christopher (1863-1946) Irish

Now the day is over: sacred song {17/382.5 : [No. 1] in Eb}

Oft we wandered: voc. duet for sop. & bar. {18/093}

Markull, Friedrich Wilhelm (1816-1887) German

Symphonie No. 3 (B minor) [Schubert-Markull] {p. duet: 22/045-7}

Marland, James Albert (1904-1976) English

The gondoliers: piano selection with lyrics [Sullivan-Marland] {09/187-2}

The pirates of Penzance: piano selection with lyrics [Sullivan-Marland] {09/187-3}

Marshall, Charles (1857-1927) English

I dream that I hear you singing: song {17/383-1 : No. 1 in Eb}

I hear you calling me: song {10/045-7[12] : No. 2 in Ab}

I hear you calling me: song {17/383-2 : No. 3 in Bb}

I hear you calling me: song {16/050-3 [5] : No. 1 in G}

Sympathy: song {17/383-3 : [No. 2] in Eb}

Martin, Easthope (Frederick John Easthope Martin) (1882-1925) English

The ballad-monger: duet for sop. & bar. in E {18/095-1}

Come to the fair {from Three More Songs of the Fair}: song (duet for 2 med v. ) {18/095-2 : in A}

Come to the fair {from Three More Songs of the Fair}: song {17/384-1 a : No. 1 in G}

Come to the fair: unison song {17/384-1 b}

A day at the fair: four songs {09/121-5 a-b : 2 copies : No. 2 med. v.}

Evensong {violin & piano: set 28/031.75}

Evensong {p. solo: 21/226.8}

Evensong {organ: 40/160 a-b : 2 copies}

Everywhere I go {from Four Pastorals}: song {17/384-6 : No. 1 in C}

Fairings {from Four Songs of the Fair} {17/384-2 : No. 2 in Bb}

Fairings {from Four Songs of the Fair}: duet for high & low v. {18/095-3}

Four songs of the fair {09/121-2 a : No. 2 high v. }

Four songs of the fair {09/121-2 b-d : 3 copies : No. 1 low v.}

The Holy Child: Luther's 'Cradle Hymn' {17/384-4 a-b : 2 copies : No. 2 in Bb}

An interlude {from Three More Songs of the Fair}: song {17/384-3 : No. 1 in C}

The light of the sunset glow: song [Martin-Taylor] {17/384-5 : No. 2 in Eb}

An old time tune (Souvenirs, 3) [Martin-Roper] {organ: 40/160-2(3)}

Red-letter days: four songs {09/121-4 : low v.}

St Nicholas Day in the morning (Noël) {from Red-letter days}: song {17/384-7 : 2 copies : No. 1 in C}

St Nicholas Day in the morning (Noël): from the song cycle Red-Letter Days {10/045-8.1[8] : No. 3 in Eb}

Songs of open country: three songs {09/121-1 a-c : 3 copies : No. 2 med. v. }

Songs of open country: three songs {09/121-1 d : No. 3 high v.}

Speed the plough: song {10/045-8.1[9] : No. 3 in G}

Three more songs of the fair {09/121-3 a-b : 2 copies : No. 1 low v.}

Martini, (Padre) Giovanni Battista (1706-1784) Italian

Andantino [Martini-Kreisler] {violin & piano: set 28/031-8 a-c : 3 copies}

Martini, Jean-Paul-Égide (Il Tedesco) (1741-1816) German-French

The joys of love (Plaisir d'amour): romance {17/385 e}

Plaisir d'amour (The joys of love): song {17/385 a-c : 3 copies}

Plaisir d'amour (Fleeting love) [Martini-Geehl] {17/385 d}

Martorell, Artur (1894-1967) Catalan

Missa in honorem Sacratissimi Cordis Jesu: {for 2-v. choir & organ] {org. + voc. sc. 02/078-1 a-b : 2 copies}

Trittico eucaristico: {for 2-v. choir & organ] {org. + voc. sc. 02/078-2 a-b : 2 copies}

Marzials, Theophile-Jules-Henri ('Theo') (1850-1920) Anglo-Italian

Fly, little dove: set in canon for two equal v. {18/097-1 : No. 2 in F}

Friendship: duet in canon {18/097-2 : No. 2 in G}

Love: duet in canon {18/097-3 : No. 1 in F}

The miller and the maid: song {10/045-4[7] : No. 3 in F}

A summer shower: song {16/050-5 [32] : No. 1 in Eb}

Twickenham Ferry: river ditty {16/050-5 [16] : No. 1 in Eb}

Mascagni, Pietro (1863-1945) Italian

Alfio's song {from Cavalleria Rusticana}: [for low bar.] {17/387-1 : 2 copies}

Ave Maria: song (founded on Intermezzo from Cavalleria Rusticana) {10/045-5[10] : No. 2 in Eb}

Ave Maria {adapt. from Cavalleria Rusticana} {17/387-2 a-b : 2 copies}

Cavalleria rusticana (Rustic chivalry): melodrama {Ascherberg, Hopwood & Crewe: 06/025 a}

Cavalleria rusticana (Sicilianische Bauernehre): Melodram {Bote & Bock: 06/025 b}

Fantasia on airs from Cavalleria Rusticana {p. solo: 21/227-2[1]}

Intermezzo {from Cavalleria Rusticana} {violin & piano: set 28/031.78}

Intermezzo {from Cavalleria Rusticana} {Ascherberg, Hopwood & Crewe: p. solo: 21/227 : 2 copies}

Lola's song {from Cavalleria Rusticana} {mez.: 21/227-2[3]}

Romanza e Scena {from Cavalleria Rusticana}: [Santuzza's aria] {17/387-3 a-b : 2 copies : No. 1 in E min (orig.)}

Santuzza's Romanza e scena {from Cavalleria Rusticana} {sop.: 21/227-2[4]}

[Songs and airs from Cavalleria Rusticana] {p. solo: 21/227-2}

Mascheroni, Angelo (1855-1905) Italian

Ave Maria: sacred song, with violin or 'cello & org. accomp. ad lib. {10/045-5[4] : No. 1 in C #both violin & cello parts incl.}

For all eternity (Eternamente): song {17/388-2 a : No. 3 in D}

For all eternity (Eternamente): song {17/388-2 b-c : 2 copies : No. 4 in Eb}

Hasten to me (Nell' attesa): song {17/388-1 : No. 3 in Eb (orig.)}

Sons of the Empire: song {17/388-3 : No. 1 in G}

Till Death (I love you : Lontananza): song {16/050-4 [11] : No. 1 in Db}

Twenty-five melodious vocal studies {19/040 : high v.}

Maschwitz, (Albert) Eric (1901-1969) English

The Dubarry: musical comedy romance [Millöcker-Maschwitz] {07/022-2}

The Mardi Gras: song {17/388.5-1}

Pink Champagne: new version of Die Fledermaus [operetta] [Strauss-Maschwitz / Grun] {07/035-4 a-c : 3 copies}

Mason, Gerry (20th c.) English

Say a little prayer: song {17/388-4 : No. 1 in F}

When lady Betty chooses: song {17/389-1}

Mason, William (1829-1908) American

Two- and three-part inventions [Bach-Mason] {Schirmer: p. solo: 21/015-3.0}

Massenet, Jules (1842-1912) French

Crépuscule: chant {17/389.5[1]}

[Crépuscule; and Il pleuvait] {17/389.5}

Il pleuvait {17/389.5[2]}

Meditation {from Thaïs}: transc. pour grand orgue {40/163}

Meditation from 'Thais' [Massenet-Arnold] {viola & piano: set 32/009 #lacks viola part}

Under the Linden trees {from Scenes Alsaciennes} {2 flutes: 36/053}

Matheson, Neil (20th c.) Scottish

Morag á Dùnbheagain: a Dunvegan love lilt [Matheson-Bryson] {p. voc. + sol-fa 17/389.8}

Mathias, William (1934-1992) Welsh

Toccata alla danza {p. solo: 21/228}

Mattei, Tito (1841-1914) Italian

Dear heart: song {16/050-3 [4] : No. 2 in D}

Matthaei, Karl (1897-1960) Swiss

Orgelkonzerte Op. 4 Heft 2 (Nr 4-6): für Orgel manualiter, Cembalo oder Klavier [Handel-Matthaei] {40/110-4(2)}

Matthay, Tobias Augustus (1858-1945) English

Four daily exercises: for advanced players and artists {p. solo: 23/032}

Matthews, Colin (1946- English

Welcome ode Op. 95: for young people's chor. (SAB) & orch. [Britten-Matthews] {01/023-6}

Matthews, Denis (1919-1988) English

Lento for 'cello and pianoforte {set 33/041.2}

Matthias, Jack (20th c.) American

Trumpet blues and cantabile [James-Matthias] {trump. & piano: set 35/008.7 #score only}

Maunder, John Henry (1858-1920) English

Bethlehem: sacred cantata [for SATB soli & chor.] {01/056-1 a-b : 2 copies}

Olivet to Calvary: sacred cantata {01/056-2}

Songs of thanksgiving: cantata for havest & gen. festival use [for STB soli & chor.] {01/056-3}

Maxfield, W H

Fifty gems of Scottish song. 2nd ser. {p. voc. + sol-fa 10/061-7(2) : 2 copies #2nd copy lacks pp. 127-8}

Maxwell Davies, Peter (1934-2016) English

see Davies, Peter Maxwell

Maxwell, Joseph

Old Scotch mother mine [McKay / Maxwell] {p. voc. + sol-fa 17/371}

Maxwell, Sheila Scottish

Deeside polka {cello: set 33/085[1] #cello part only}

May, Hans (1886-1958) Anglo-Austrian

Always young {from Wedding in Paris} {p. voc. + sol-fa 17/390-3}

Break of day {from Waltz Time}: song {p. voc. + sol-fa 17/390-1 b : [No. 1 in] Bb}

Break of day {from Waltz Time}: song {p. voc. + sol-fa 17/390-1 a : [No. 2 in C]}

My song goes round the world (Ein Lied geht um die Welt) {p. voc. + sol-fa 17/390-2}

Night in Venice: operetta [Strauss-May] {07/035-3}

Night in Venice: operetta (new version) [Strauss-May] {libr. 03/150-1 a-b : 2 copies #b: marked up copy (W. Jolly)}

Maybrick, Michael (1844-1913) English

see Adams, Stephen (pseud.)

Mayerl, William Joseph ('Billy') (1902-1959) English

Autumn crocus: idylle {p. solo: 21/230}

Resting: song {17/391-1}

Song of the fir-tree: a Swedish impression {p. solo: 21/230-2}

Mazas, Jacques Féréol (1782-1849) French

Etüden Op. 36 Heft 1, 1-30 {violin: 25/011(1)}

McCabe, John (1939-2015) English

Images for brass band {orch. sc. 42/022 #no sep. parts}

Variations Op. 22 {p. solo: 21/232}

McCallum, Kyle Scottish

Watching the wheat {organ: 40/153-1}

McCarthy, Joseph (1885-1943) American

Alice blue gown {from Irene} {17/363}

McClurg, Marion Scottish

Scotland the brave {p. voc. + sol-fa 17/363.2}

McCrone, Duncan (20th c.) Scottish

Always Argyll {17/363.5}

McDermott, Hugh (19th-20th c.) Irish

Allan's Irish fiddler: 120 reels & jigs, hornpipes & set dances {26/011}

McEachern, Malcolm (1883-1945) New Zealander

see Mr Jetsam (pseud.)

McGeoch, Daisy (1876-1963) English

Two eyes of grey: song {17/369 b : [No. 3] in D}

Two eyes of grey: song {17/369 a : [No. 2] in C}

McHugh, James Francis ('Jimmy') (1894-1969) American

Dinner at eight {p. voc. + sol-fa 17/370-1}

Lovely lady {from King of Burlesque} {p. voc. + sol-fa 17/370-2}

McKay, Ray Scottish

Old Scotch mother mine [McKay / Maxwell] {p. voc. + sol-fa 17/371}

McLeod, John (1934- Scottish

Hebridean dances {p. solo: 21/233}

Scotland yet! {p. voc. + sol-fa 16/050-1[24]}

McLeod, Peter (1797-1889) Scottish

Oh, why left I my hame {p. voc. + sol-fa 16/050-1[62]}

McNaught, W G (20th c.)

Acis and Galatea: serenata [for SATB soli & chor.] [Handel-McNaught] {sol-fa only 44/027-3}

Carmen: opera [concert version] [Bizet-McNaught] {Novello: 06/007 a-d : 4 copies}

H.M.S. Pinafore; or The lass that loved a sailor: entirely original nautical comic opera (school ed.) [Sullivan-McNaught] {Cramer: p. voc. + sol-fa 07/040-4.1}

The Messiah: sacred oratorio [Handel-McNaught] {Novello: sol-fa only 44/027-2 a-c : 3 copies}

Medtner, Nikolai (1880-1951) Russian

Elfenmärchen Op. 48 No. 2 {p. solo: 21/234-1 a-b : 2 copies}

Mailied (Maiskaia pesn') {from Neun Lieder von Goethe} Op. 6 no. 2 {17/391.5-1}

Na ozere (Auf dem See) Op. 3 no. 3 {17/391.5-2}

Romantische Skizzen Op. 54, Heft II, Nr. 1-2 {p. solo: 21/234-2}

Trois nouvelles Op. 17 No. 1 {p. solo: 21/234-3}

Vier Märchen Op. 26 No. 3 {p. solo: 21/234-4}

Meglio, Vincenzo de (1825-1883) Italian

Santa Lucia (Neapolitan barcarolle): for SSA accomp. [De Meglio-Dexter] {18/099}

Meher, Donovan (19th-20th c.)

Laughing eyes: song {17/392}

Melartin, Erkki (1875-1937) Finnish

O Herre … (O Vater …) Op. 13 No. 1: sång {17/393 : high v.: E}

Mellor, Grace E

Liberty: song {17/393.5 : No. 1 in F}

Melrose, Horace

The butterfly: valse {p. solo: 21/235-1}

Mendelssohn-Bartholdy, Felix (1809-1847) German

12 favorite songs without words {Augener: p. solo: 21/236-4.1.1}

Acht-und-vierzig Lieder ohne Worte {Henry Litolff: p. solo: 21/254-5.4[2] #lacks pp. 97-98}

Andante and rondo capriccioso Op. 14 [Mendelssohn-Rée] {p. duo: set 22/026}

Andante and rondo capriccioso Op. 14 {Walsh, Holmes: p. solo: 21/236-1 a-e : 5 copies}

Andante and rondo capriccioso Op. 14 {Forsyth Bros.: p. solo: 21/236-1 f}

Andante and rondo capriccioso Op. 14 {Wood: p. solo: 21/236-1 g-h : 2 copies}

Andante and rondo capriccioso Op. 14 [Mendelssohn-Corder] {Murdoch, Murdoch: p. solo: 21/236-1 i}

Andante from Violin concerto Op. 64 {violin & piano: set 28/031.8-1}

Andante sostenuto in E flat Op. 72 No. 2 {p. solo: 16/050-2 [12]}

Andante with variations; and Allegro in B flat (posthumous) {organ: 40/167-3}

As the hart pants (42nd Psalm) Op. 42: [cantata] {01/058-1 a-b : 3 copies}

As the hart pants (42nd Psalm); and Twenty-four four-part songs (SATB) {15/041-2}

Auf Flügeln des Gesanges [from Mendelssohn] [Mendelssohn-Liszt] {p. solo: 21/218-6.5}

The bee's wedding (Presto) {from Songs without Words Bk 6} Op. 67 no. 4 {Augener: p. solo: 21/236-4.1(34)}

Christus: unfinished oratorio {08/052-2[2]}

Come let us sing (95th Psalm) Op. 46: [for solo v. & SATB chor.] {02/080-1}

Come, let us sing (95th Psalm) Op. 46: [for SST soli & SATB chor.] {01/058-4}

Complete organ works (Op. 37, 65) {Augener: 40/167-5 c}

Compositionen für die Orgel (Op. 37, 65) {Peters: 40/167-5 a #lacks all after p. 82}

Concert pieces for piano {21/236-1.3}

Concerto in E min Op. 64 {violin & piano: set 28/031.8 a}

Drei Praeludien und Fugen Op. 37 {organ: 40/167-5[1]}

Elijah Op. 70: oratorio {Bayley & Ferguson: SATB soli: 08/043-1.2}

Elijah Op. 70: oratorio {Novello: SATB soli: 08/043-1 a-c : 3 copies}

Elijah Op. 70: oratorio {Hart: SATB soli: 08/043-1.4}

Elijah Op. 70: [oratorio] {Kalmus: SATB soli: 08/043-1.3}

Elijah [selection]: oratorio {20/217}

Elijah Op. 70: oratorio (new ed.) {Novello: SATB soli: 08/043-1.1 c-e : 3 copies}

Elijah [song selection]: oratorio {p. voc. + sol-fa 20/217[2]}

Elijah [piano selection]: oratorio {20/217[1]}

Elijah Op. 70: oratorio (pocket ed.) {Novello: SATB soli: 08/043-1.1 a-b : 2 copies}

Fantasia on an Irish song Op. 15 (The Last Rose of Summer) {Augener: p. solo: 21/236-1.2[2]}

Fingal's Cave Op. 26 {p. solo: 21/236-8}

Fingal's cave (The Hebrides) Op. 26 {p. duet: 22/026-2}

The first violet (Das erste Veilchen): song {17/394-2}

The first Walpurgis night Op. 60: cantata {01/058-3}

Grant us thy Peace (Da nobis pacem): motet for four v. {05/010 a-b : 2 copies}

Hear my prayer: motet for sop. solo & chor. (SATB) {05/011 a-e : 5 copies}

Hear my prayer: hymn for sop. solo & chor. (SATB) {05/011.1}

Hear my prayer: motett for sop. solo & chor. (SATB) {05/011 b-2}

Hymn of praise (Lobgesang) Op. 52: sacred cantata [for SST soli & SATB chor.] {01/058-2.1}

Hymn of praise (Lobgesang) Op. 52: symphonia cantata [for SST soli & SATB chor.] {01/058-2 a-d : 4 copies #b: Sinfonia omitted}

Israel in Egypt: sacred oratorio for SSATBB soli, SATB & orch. [Handel-Mendelssohn] {Novello: 08/027-3 a-c : 3 copies}

Kinderstücke Op. 72 {p. solo: 21/236-3}

Konzert-Ouverture No. 2 Hebriden (Fingalshöhle) Op. 26: [cello & bass] {33/048-2}

Konzerte für Pianoforte solo {21/236-3.5}

Kräftig und feurig Op. 7 No. 3: from Seven characteristic studies {p. solo: 21/236-3.8}

Lied ohne Worte Op. 109 {Stainer & Bell: cello & piano: set 33/048-3 #no sep. cello part}

Lieder ohne Worte (Songs without words): p. solo {Peters: 21/236-4.0}

Lieder ohne Worte: für piano solo {Breitkopf & Härtel: 21/236-4.8}

Lieder ohne Worte: [42 pieces] {Bosworth: p. solo: 21/236-4.2 b-c : 2 copies}

Lieder ohne Worte (Songs without words) {Augener: p. solo: 21/236-4.1 a-b : 2 copies #b: Eng. fingering}

Lieder ohne Worte (Songs without words) [Mendelssohn-Benedict] {Broome: p. solo: 21/236-4.3}

Lieder ohne Worte {Novello: p. solo: 21/236-4.4}

Lieder ohne Worte 16 {Novello, Ewer: p. solo: 21/236-4.4(16)}

Lieder ohne Worte (Songs without words) Bk 1 No. 2: duet for p-forte and violin, v-cello, flute or clar. [Mendelssohn-Zoeller] {Cuningham Boosey: set 28/031.8-2}

Lieder ohne Worte No. 1, 3, 6, 30, 37 {p. solo: 20/014[ 2-6]}

Lord, how long wilt Thou forget me? (Psalm 13): [for solo v. & SATB chor.] {org. + voc. sc. 02/080-2}

Loreley Op.98: unfinished opera [for sop. & fem. v.] {06/026 a-c : 3 copies}

The maybells and the flowers (Maiglockchen und die Blümelein): two-part song {2 sop.: 18/016.8}

O come let us worship: motet [for SATB soli & chor.] {05/012}

O rest in the Lord: air from 'Elijah' {contr.: 17/394-1 a : in C}

O rest in the Lord: recit. & air from 'Elijah' {contr.: 17/394-1 b : in C}

O wert thou in thy cauld blast: duet {p. voc. + sol-fa 18/100}

On wings of song (Auf Flügeln des Gesanges) [Mendelssohn-Reeves] {p. solo: 21/236-1.5}

On wings of song (Auf Flügeln des Gesanges) Op. 34 no. 2 {Edwin Ashdown: 17/394-3 b : No. 2 in Ab}

On wings of song (Auf Flügeln des Gesanges) Op. 34 no. 2 {17/394-3 a : high v.}

Ouvertüren [by Mendelssohn and other composers]: [arr. as p. duets] {22/026-1}

Prelude & fugue in E minor {p. solo: 21/236-5}

Prelude & fugue in E minor [with scherzos & sketches] {p. solo: 21/236-6.5}

Prelude for organ Op. 37 No. 2 [Mendelssohn-Farnell] {p. solo: 21/236-6}

Romances sans paroles (Lieder ohne Worte) {p. solo: 21/236-4.5}

Rondo capriccioso Op. 14 {p. solo: 20/014[1]}

Rondo capriccioso Op. 14 and Fantasia Op. 15 {Augener: p. solo: 21/236-1.2}

Sämmtliche Compositionen für Orgel (Op. 37, 65) {Henry Litolff: 40/167-5 b}

Saint Paul: oratorio [for SATB soli & chor.] {Novello, Ewer: 08/043-3 a-d : 4 copies}

Saint Paul: oratorio [for SATB soli & chor.] (pocket ed.) {Novello: 08/043-3[p] a-b : 2 copies}

Scherzo {from Mendelssohn's 'A Midsummer Night's Dream'} [Mendelssohn-Rachmaninoff] {p. solo: 21/288-4 a-b : 2 copies}

Scherzo in E minor Op. 16 no. 2 'The fairy trumpets' [Mendelssohn-Baynon] {p. duo: set 22/026-4}

Sechs Sonaten Op. 65 {organ: 40/167-5[2] #lacks all after p. 82}

Six preludes and fugues Op. 35 {p. solo: 21/236-5}

Six sonatas Op. 65 {Novello: organ: 40/167-6 : 2 copies}

Six sonatas [Op. 65] and Three preludes and fugues [Op. 37] {Novello: organ: 40/167-7}

Slow movements from the Organ sonatas {40/167-2}

Slumber and dream (Schlummre und Träume) {from Six Songs Op. 47} [Mendelssohn-Kuhe] {p. solo: 21/236-9}

The solo music in Mendelssohn's Elijah. Bass [Mendelssohn-Randegger] {14/046}

Sommernachtstraum: Marsch [Mendelssohn-Felix] {violin & piano: 28/075[5] #score only}

Sonata 2 Op. 58 {cello & piano: set 33/048-1}

Sonatas (Op. 65) {Augener: organ: 40/167-5(2) #lacks all after p. 92}

Song without words Op. 19 No. 2 [Mendelssohn-Zverov] {oboe & piano: set 36/054}

Songs without words: [48 pieces] {Bosworth: p. solo: 21/236-4.2 a}

Songs without words {ABRSM: p. solo: 21/236-4.6 a-b : 2 copies}

Songs without words (Lieder ohne Worte) 1-6 (Op. 19), 7-10 (Op. 30), 15-17 (Op. 38) {p. solo: 21/236-4.9 #defective}

Songs without words (Lieder ohne Worte): [49 pieces] {Wood: p. solo: 21/236-4.7 a-b : 2 copies}

Spinning song ('Bees' wedding') [Mendelssohn-Corder] {p. duo: 22/008.5[1] a-b : 2 copies}

Spring song: p. solo w. violin & cello ad lib. {set 28/031.8-3}

Spring song Op. 62 no. 6 {Wood: p. solo: 21/236-4.1(30) b}

Spring song (Allegretto grazioso) {from Songs without Words Bk 5} Op. 62 no. 6 {Augener: p. solo: 21/236-4.1(30) a}

Streich-Quartette Op. 12, 13, 44, 80, 81 {set 42/023}

Symphonien Bd 1: [arr. as p. duets] {22/026-3[1]}

Symphony 4 A major ('Italian') Op. 90 {min. sc. 04/015-4}

Thirteen two-part songs: [mainly 2-sop.] {15/041 a-b : 2 copies}

Three Etudes from Op. 104 and Scherzo à capriccio {p. solo: 21/236-2}

Three preludes and fugues Op. 37 {organ: 40/167-4}

Three preludes and fugues Op. 37 {Novello: organ: 40/167-7[2]}

Trio No.1 in D minor Op. 49 {p. trio: vn & vc: set 24/013-1}

Twenty compositions {p. solo: 21/236}

Twenty-four four-part songs (SATB) Op. 41, 48, 50, 59 {15/041-2[2]}

Variations serieuses Op. 54 {p. solo: 21/236-7}

Violin-Concert E moll Op. 64 {violin & piano: set 28/031.8 b}

Vocal album: 52 songs {09/122 : orig. (med.-high v.)}

[Works by Mozart and Mendelssohn] {p. solo: 21/254-5.4}

Menéndez, Julián (1895-1975) Spanish

Six sonatas: for clar. & piano [Handel-Menéndez] {set 36/037-4}

Menotti, Gian-Carlo (1911-2007) Italian-American

Amahl and the night visitors: opera {06/027-1}

Ricercare and Toccata: on a theme from ‘The Old Maid and the Thief' {p. solo: 21/240}

The shepherds' chorus {from Amahl and the Night Visitors} {SATB choir: 18/101}

The telephone (L'Amour à trois): opera buffa {06/027-2}

Merewether, Richard (1927-1985) Australian

Complete horn parts (for) the four symphonies {35/043-1}

Merkel, Gustav Adolf (1827-1885) German

Frühlingslied (Spring song) Op. 18 No. 1 {p. solo: 21/241}

Fugue for organ duet {from Sonata Op. 3} [Merkel-Westbrook] {org. sc. (4 h.) 40/169-1}

Merkel-Album: 24 melodious pieces for organ [Merkel-Westbrook] {40/169}

Merlin, Alfred (20th c.) English

Your hand in mine: song {17/395 a : [No. 1 in] Bb low}

Your hand in mine: song {17/395 b : [No. 2 in] C (orig.) high}

Messager, André (1853-1929) French

The grey house (La maison grise) {from Fortunio} {17/396-1 : No. 2 in F}

Long ago in Alcala {from Mirette}: song {17/396-2}

Monsieur Beaucaire: romantic opera {06/028-1}

Philomel {from Monsieur Beaucaire} {17/396-3 : No. 2 in Ab}

Red rose {from Monsieur Beaucaire} {16/020(3) [3]}

Trot here and there: duet [sop. & bar.] {18/103}

Véronique: comic opera {06/028 a-c : 3 copies}

Messager, Mrs André Charles (1859-1938) Irish

see Temple, Hope (pseud.)

Messiaen, Olivier (1908-1992) French

L'Ascension: quatre méditations symphoniques {organ: 40/171-1}

Île de Feu 1 {p. solo: 21/242(1)}

Île de Feu 2 {p. solo: 21/242(2)}

La Nativité du Seigneur Bk 1 (nos. 1-3): neuf méditations pour orgue {40/171-2(1)}

La Nativité du Seigneur Bk 2 (nos. 4-5): neuf méditations pour orgue {40/171-2(2) #in 4 fasc. - 1-3, 4-5, 6-8, 9}

La Nativité du Seigneur Bk 3 (nos. 6-8): neuf méditations pour orgue {40/171-2(3) #in 4 fasc. - 1-3, 4-5, 6-8, 9}

La Nativité du Seigneur Bk 4 (no. 9): neuf méditations pour orgue {40/171-2(4) a-b : 2 copies}

Metcalf, John W (1856-1926) English

Absent: song {17/398 b : No. 2 in G}

Absent: song {17/398 a : No. 3 in Bb}

Absent: song {17/398 c : No. 4 in Bb}

Meves, Wilhelm (1808-1871) German

Célèbres symphonies vol. 1 (no. 3, 7,9,12,16,18) [Haydn-Meves] {p. duet: 22/022-2(1)}

Meyer, B van den Sigtenhorst (1888-1953) Dutch

Three rustical miniatures: for oboe or flute solo {36/057}

Meyer-Helmund, Erik (1861-1932) Russian-German

Im Volkston (The Shepherd's reproach): song {17/401[1] : low v.}

[Im Volkston; and Leichter Verlust]: song {17/401 a : low v.}

Leichter Verlust (The double loss): song {17/401[2] : low v.}

Rosenzeit (The time of Roses): Lied {10/045-9[17]}

Meyerbeer, Giacomo [=Jakob Liebmann Beer] (1791-1864) German

C'est bien l'air (That's the tune) {from L'Etoile du Nord}: with special cadenza for col. v. & 2 flutes [Meyerbeer-Liebling] {17/400-1 a-b : 2 copies}

Chant de mai (Mailied) {10/045-4[19]}

O beau pays de la Touraine (O fair Touraine) {from Les Huguenots): sop. aria {17/400-2}

Mielenz, Hans (1909-1996) German

Scherzo: arr. by Voxman for sax. quart. (AATB) [Mielenz-Voxman] {set 37/653 #score only}

Milford, Robin (1903-1959) English

Three airs for treble recorder (or flute) & piano {set 36/059}

Two Easter meditations for organ {40/171.5}

Milhaud, Darius (1892-1974) French

Mazurka {p. solo: 20/190[4]}

Scaramouche: suite pour deux pianos {Deiss: 22/027-1.1 a-b : 2 copies}

Scaramouche: suite for two pianos {Chester: 22/027-1.2}

Miller Sturgis, Mable (19th-20th c.)

see Sturgis, Mable Miller

Miller, Harry Colin (b.1860)

Forty-seven popular Scottish songs {10/014.5}

Klingender Tag: geselliges Schul-Chorbuch für zwei und drei gemischte Stimmen {10/025.5}

Der Rhein im Lied: [32 songs] {10/025}

Miller, Robert Beatson (Robin) (b.1915) English

Duettina [for soprano-instruments and piano]: Instrumentation: recorder, piccolo, flute, oboe, clarinet, violin or trumpet, and piano [Gabrieli-Miller] {set 42/015 #p. conductor only, no parts}

Overture {Acis and Galatea} [Handel-Miller] {p. duo: set 22/021-2}

Sonata pian' e forte: air for 8-part wind &/or brass ensemble [Gabrieli-Miller] {orch. sel. 42/017.5}

Millöcker, Carl (1842-1899) Austrian

The Beggar Student: operetta {07/022}

The Dubarry: musical comedy romance [Millöcker-Maschwitz] {07/022-2}

The Dubarry: musical comedy romance (acting edition) [Millöcker-Mackeben / Grun] {libr. 03/085}

I give my heart: song [Millöcker-Mackeben] {17/402}

Mills, Alan (1912/13-1977) Canadian

I know an old lady {p. voc. + sol-fa 17/403 a-b : 2 copies}

Mills, Annette [=Edith Mabel Mills] (1894-1955) English

Adolf {p. voc. + sol-fa 17/403.5}

Millward, G

Falling shadows: reverie {p. solo: 21/243}

Minkus, Ludwig (Léon Fyodorovich) (1826-1891) Austrian

Pas de deux {from 'Don Quixote'} {p. solo: 21/243.5}

Mitchell, George (1917-2002) Scottish

The way you look tonight [Kern-Mitchell] {SATB soli: p. voc. + sol-fa 18/079.2}

Moeran, Ernest John (1894-1950) English

Blue-eyed Spring {17/405-4}

Fancies: three pieces {p. solo: 21/244 a-b : 2 copies}

Four Shakespeare songs {09/123}

The little milkmaid: folk song from Suffolk {17/405-1}

On a May morning {p. solo: 21/244-2}

The sailor and young Nancy: folk song from Norfolk {17/405-2}

Troll the bowl {17/405-3}

Moffat, Alfred (1866-1950) Scottish

Album (12 pieces) Bk 1 Nos. 1-5 {cello & piano: set 33/051(1)}

Arie aus 'Orpheus': [arr. for violin (or cello) & piano] [Gluck-Moffat] {set 28/022.5 #sep. violin & cello parts}

The barren rocks o' Aden: marching air {p. solo: 21/245[2]}

Bayley & Ferguson's violin album: 100 popular and classical airs {violin & piano: set 28/061-4 #violin pt lacks nos.1-6; p.cond. lacks no.100}

The Braemar collection of Highland music for the piano {20/143-1}

Cantabile Op. 17 no. 7: [arr. for violin (or cello) & piano] [Mozart-Moffat] {set 28/033-8 #sep. violin & cello parts}

The Cremona violin album: [44 pieces] {set 28/061-4.5}

Fifty traditional Scottish nursery rhymes {10/062-6}

Giga and Musette: Mr Defesch's fancie [Defesch-Moffat] {p. solo: 21/113}

The holly bush {from Thirty-three 18th century English violin pieces}: Northumbrian country dance {set 28/031.9}

The Inverness gathering [and] The barren rocks o' Aden: marching airs {p. solo: 21/245}

The jewel song {from Faust} [Gounod-Moffat] {p. voc. + sol-fa 17/225-3 a-b : 2 copies}

Largo ed Allegro alla francese [Boni-Moffat] {cello & piano: set 33/015.3}

Le galant chevalier [Francoeur-Moffat] {p. solo: 21/144.5}

Melodious Scotland, vol. 1: songs and ballads of the North {10/044-1}

The minstrelsy of the Scottish Highlands: [67 songs] {10/019 a-b : 2 copies}

The minstrelsy of the Scottish Highlands: [abridged - 15 songs] {10/019.1 : 3 copies}

Mo dhachaidh (My ain house) {p. voc. + sol-fa 17/405.5-2}

Moment musical Op. 94 Nr 3 [Schubert-Moffat] {violin & piano: set 28/044-2}

None but the broken heart (Nur wer die Sehnsucht kennt) [Tchaikovsky-Moffat] {Alfred Lengnick: 17/550-2 b}

Old master melodies for young cellists: [12] easy classical pieces for violoncello & piano (1st position) [Moffat / Rapp] {set 33/090-1}

Sarabanda (aus einer Suite f: [arr. for violin (or cello) & piano] [Bach-Moffat] {set 28/002-7 #sep. violin & cello parts (cello lacking)}

The Scottish baritone album {14/013-3}

The Scottish bass album: [31 songs] {14/021 : 2 copies}

The Scottish mezzo-soprano album: [38 songs] {11/039-2}

The Scottish soprano album {11/038}

Six songs [Purcell-Moffat] {10/076[1]}

Six songs [Purcell-Moffat] {09/145-3}

Sonata (D minor) [De Fesch-Moffat] {cello & piano: set 33/022}

Sonata in e minor: [arr. for cello & piano] [Galliard-Moffat] {set 33/030.5}

Sonata in G major [Sammartini-Moffat] {cello & piano: set 33/061-1}

Sonate G minor [Eccles-Moffat] {cello & piano: set 33/027-1}

Songs my mother taught me (Als die alte Mutter) Op. 55 No. 4: voc. duet [Dvorák-Moffat] {sop. & alto / contr.: 18/053}

Suaicheantas na h'Alba (O, the Thistle o' Scotland) {p. voc. + sol-fa 17/405.5-1}

Two jigs [Festing-Moffat] {p. solo: 21/136.5}

When I a lover pale do see: song [Purcell-Moffat] {17/460-5}

Moir, Frank Lewis (1852-1904) English

At eventide: song {16/040 [3/10]}

Down the vale: song {17/406-4 : No. 1 in C}

Down the vale: song {16/050-4 [25] : No. 3 in Eb}

Only once more: song {16/050-5 [34] : No. 1 in Eb}

Molloy, James Lynam (1837-1909) Irish

The carnival: song {17/406-1 a-b : 2 copies : No. 2 in C #b: imperfect}

Darby and Joan: song {10/045-4[6] : No. 2 in G}

The Kerry dance: song {17/406-2 a-b : 2 copies : No. 2 in F}

The Kerry dance: song {16/050-4 [28] : No. 1 in Eb}

The Kerry dance {voc. duet: 18/105-1}

The Kerry dance: song {17/406-2 c-d : No. 1 in Eb}

The little tin soldier: [song] {16/050-5 [7]}

Love's old sweet song: voc. duet [sop. & ten] {18/105--2(2)}

Love's old sweet song: song {17/406-3 a-b : 2 copies : No. 2 in F}

Love's old sweet song {Boosey: 10/045-4[25] : No. 3 in G}

The old cottage clock {10/045-4[3]}

Mompou, Federico (1893-1987) Catalan

Canción y danza No. 1 {p. solo: 21/246 a-b : 2 copies}

Monckton, Lionel (1861-1924) English

The Arcadians: fantastic musical play [Monckton / Talbot] {07/023-1 a-c : 3 copies #c: marked up copy (W. Jolly)}

The Arcadians: fantastic musical play [Monckton / Talbot] {libr. 03/089 a-c : 3 copies}

The Arcadians: fantastic musical play [Monckton / Talbot-Higgs] {p. solo: 21/248-3}

Arcady is ever young {from The Arcadians}: song {17/408-3 : No. 2 in Eb}

A country girl: musical play {07/023-3}

Jack's the Boy: [song] {16/040 [7/1]}

Lancers {from The Quaker Girl} [Monckton-Higgs] {p. solo: 21/248}

The pipes of Pan are calling {from The Arcadians}: song {17/408 c : 2 copies : No. 1 in F (?)}

The pipes of Pan are calling {from The Arcadians}: song {17/408 a-b : 2 copies : No. 2 in Ab}

The pipes of Pan are calling {from The Arcadians}: song {17/408 c : No. 1 in F}

The Quaker girl: new musical play {07/023-2}

Soldiers in the park: march {p. solo: 21/248-2}

Sons of the Motherland: song {17/408-2 : [in C]}

Under the deodar {from A country girl}: song {16/050-5 [28]}

Moncrieff, Mrs Lynedoch (19th c.) English

My heart Is like a singing bird {17/409 : No. 2 in G}

Monk, William Henry (1823-1889) English

L'Allegro, il pensieroso ed il moderato [Handel-Monk] {08/028-1}

Monteverdi, Claudio (1567-1643) Italian

Il Ballo delle ingrate (The dance of the heartless ladies): opera in genere rappresantivo {06/030-1}

Combattimento di Tancredi e Clorinda: for solo v. (STBar), str. q. or str. orch. & keyb. continuo {06/030-4}

Magnificat: for soloists (SATB), double choir, organ & orch. {02/084}

L'Orfeo: favola in musica [soli, chor. & orch.] {06/030-3 a-b : 2 copies}

Scherzi musicali: for 3 v., 2 violins and bass {15/043 a-b : 2 copies}

Scherzi musicali: [high v. w. basso continuo] {09/124}

Sfogava con le stelle (Raving aloud at heaven): for SSATB {05/012.3 a-g : 7 copies}

Montgomery, Lee

The house with nobody In It {17/410}

Monti, Vittorio (1868-1922) Italian

The celebrated czardas {violin & piano: 28/032-1 a}

Czardas {Ricordi: violin & piano: set 28/032-1 b-c : 2 copies}

Moodie, James (b.1925) Scottish

Eastertide: sacred cantata {01/060}

Moonie, James Anderson (1853-1923) Scottish

Gems of Highland song Bk 1: [6 songs] {10/017(1)}

Moore, Gerald (1899-1987) English

Rondo {from 'Abdelazer'} [Purcell-Moore] {p. solo: 21/286-2}

The Skye boat song {p. solo: 21/248.3}

Ständchen (Serenade) [Schubert-Moore] {17/496-8 a}

Moore, Graham Ponsonby (1859-1916) English

Six sonatinas Op. 36 [Clementi-Moore] {p. solo: 21/086-1 d}

Moore, Thomas (1779-1852) Irish

'Tis the last rose of summer: song {17/411}

Morgan, Reginald (1900-1981) English

Count your blessings: song {17/413 a-b : 2 copies : No. 2 in Eb}

Morgan, Robert Orlando (1865-1956) English

Clorinda: song {17/412 : No. 1 in F min}

French suites [Bach-Morgan] {p. solo: 21/015-2.1}

Prelude and fugue Bk 1 No. 2 in C minor [Bach-Morgan] {p. solo: 21/015-6(1. 2)}

Prelude and fugue Bk 1 No. 6 in D minor [Bach-Morgan] {p. solo: 21/015-6(1. 6)}

Prelude and fugue Bk 1 No. 7 in E flat major [Bach-Morgan] {p. solo: 21/015-6(1.7) a-b : 2 copies}

Prelude and fugue Bk 1 No. 9 in E major [Bach-Morgan] {p. solo: 21/015-6(1.9) a-b : 2 copies}

Prelude and fugue Bk 1 No. 10 in E minor [Bach-Morgan] {p. solo: 21/015-6(1.10)}

Prelude and fugue Bk 1 No. 15 in G major [Bach-Morgan] {p. solo: 21/015-6(1.15)}

Prelude and fugue Bk 1 No. 16 in G minor [Bach-Morgan] {p. solo: 21/015-6(1.16)}

Prelude and fugue Bk 1 No. 17 in A flat major [Bach-Morgan] {p. solo: 21/015-6(1.17)}

Prelude and fugue Bk 1 No. 21 in B flat major [Bach-Morgan] {p. solo: 21/015-6(1.21) a-b : 2 copies}

Prelude and fugue Bk 1 No.23 in B major [Bach-Morgan] {p. solo: 21/015-6(1.23) a-b : 2 copies}

Prelude and fugue Bk 2 No. 1 in C major [Bach-Morgan] {p. solo: 21/015-6(2. 1)}

Prelude and fugue Bk 2 No. 6 in D minor [Bach-Morgan] {p. solo: 21/015-6(2. 6)}

Prelude and fugue Bk 2 No. 19 in A major [Bach-Morgan] {p. solo: 21/015-6(2.19)}

Prelude and fugue Bk 2 No. 23 in B major [Bach-Morgan] {p. solo: 21/015-6(2.23)}

Prelude and fugue Bk 2 No. 24 in B minor [Bach-Morgan] {p. solo: 21/015-6(2.24) a-b : 2 copies}

Wohltemperirtes Clavier Bk 1: [1st book of 24 from the] 48 Preludes & Fugues [Bach-Morgan] {Edwin Ashdown: 21/015-6(1) a-b : 2 copies}

Wohltemperirtes Clavier Bk 2: [2nd book of 24 from the] 48 Preludes & Fugues [Bach-Morgan] {Edwin Ashdown: 21/015-6(2) a-b : 2 copies #b: lacks all after p. 190}

Wohltemperirtes Clavier (Forty-eight preludes and fugues): analysis of the Fugues (by Orlando Morgan) [Bach-Morgan] {Edwin Ashdown: p. solo: 21/015-6A}

Morhange, Charles Henri Valentin (1813-1888) French

see Alkan, Charles-Valentin (pseud.)

Mori, Frank (1820-1873) English

I come from the beauiful Rhine: song {10/045-4[22] #autographed copy}

Morley, Thomas (1557-1602) English

April is in my mistress' face [Morley-Harvey] {sax. quart.: set 37/690-2[9] #score only}

Canzonets for two voices: [12 songs] {15/044 a-b : 2 copies}

Now Is the month of maying: balett for five v. (SATTB) {05/012.5}

Morris, Geoffrey O'Connor- (1886-1964) Irish

see O'Connor-Morris, Geoffrey

Morris, Lelia Naylor (Mrs C H) (1862-1929) American

The Stranger of Galilee: sacred song [Morris-Sturgis] {17/414 a-c : 3 copies : [No. 1 in] F}

Morrison, R F (19th-20th c.) Scottish

Just a wee deoch-an-doris [Morrison / Cunliffe] {p. voc. + sol-fa 17/414.5}

Mortimer, Charles G (1880-1957) English

A smuggler's song: for bar. or bass {17/414.7}

Moscheles, Ignaz (1794-1870) Czech

Studies Op. 70 Bk 1: [nos. 1-12 of] 24 characteristic compositions {p. solo: 21/249(1)}

Studies Op. 70 Bk 2: [nos. 13-24 of] 24 characteristic compositions {p. solo: 21/249(2)}

Moss, Katie (1881-1947) English

The floral dance: song {17/415 a-c,e-f : 5 copies : No. 1 in Bb}

The floral dance: song {17/415 d,g : 2 copies : No. 2 in C}

Moszkowski, Moritz (1854-1925) Polish

Album espagnol Op. 21: Spanish dances for p. duet {22/028-3 a-b : 2 copies}

Cinq valses Op. 8: p. duet {22/028-6}

Frühling Op. 57 No. 1-3 {p. solo: 21/250-5}

Hungarian dances 1-5 [Brahms-Moszkowski] {Augener: p. solo: 21/053-5.1}

Pièce rococo Op. 36 No. 1 {p. solo: 21/250-1}

Serenata Op. 15 No. 1 {p. duet: 22/028-5}

Spanische Tänze Op. 12: p. duet {22/028-2 a-b : 2 copies}

Spanische Tänze Op. 12 [Moszkowski-Scharwenka] {violin & piano: set 28/032.5}

Spanish dance Op. 12 no. 1: sax. ensemble (AATTBB) 'playable as a quartet, quintet or sextet' [Moszkowski-Harger] {set 37/656 #AATTBar score + parts for bass & 2nd tenor}

Spanish dances Op. 12 {p. duet: 22/028-2}

Spanish dances Op. 12 {p. solo: 21/250-2 a-b : 2 copies}

Tarantella Op. 27 No. 2 {p. solo: 21/250-3}

Valse brillante in A flat {p. solo: 21/250-4}

Valse brillante in A flat [Moszkowski-Gurlitt] {p. duet: 22/028}

Waltz in E Op. 8 No. 3 {p. duet: 22/028-4}

Motteur, J B

Buttercup waltz {p. solo: 21/251}

Mottl, Felix Josef von (1856-1911) Austrian

Das Rheingold [Wagner-Mottl] {Peters: 06/072-8 b}

Moule-Evans, David (1905-1988) Welsh

Twilight: song for med. v. & piano {17/415.5}

Moussorgsky, Modest Petrovich (1839-1881) Russian

see Mussorgsky, Modest Petrovich

Moustaki, Georges (1934-2013) Greek-French

Il est trop tard {17/417-1}

Moya (pseud.) [=Harold Archdall Vicars] (c1876-1922) English

The song of songs (Chanson du coeur brisé): mélodie {17/417.3 : No. 3 in D}

Moyse, Marcel (1889-1984) French

Septième Sonate en sol mineur [Bach-Moyse] {flute & p./ cont.: set 36/001-3}

Mozart, Leopold (1719-1787) Austrian

Suite F-dur: für Trompete und Orgel [Mozart-Kraus] {set 35/011 #score and parts}

Well known pieces from the Note Books [by J S Bach and Leopold Mozart]: for beginners on the cello [Bach/Mozart] {33/005-3 #score only}

Mozart, Wolfgang Amadeus (1756-1791) Austrian

Ah! lo so ... (Ah! I know) {from The Magic Flute}: [sop. aria: Pamina] {17/418-1 a-b : 2 copies}

Allegretto from the Piano Quartet no. 2 K 493 [Mozart-Carner] {Augener: p. duo: set 22/031-18(3)}

Alleluja {from Exsultate, jubilate} {sop.: 05/013-2}

Allelujah {from Exultate, jubilate} {17/419-12}

Arias from operas for soprano vol. 3: [10 songs] {11/015-1(3) : 2 copies}

Arias from operas for soprano vol. 4: [10 songs] {11/015-1(4)}

Un' aura amorosa (The breezes that murmur) {from Così Fan Tutte}: [ten. aria: Ferrando] {17/418-2 : No. 1 in G}

Ave Verum [Mozart-Squire] {cello & piano: set 33/069-3 [6] #lacks cello part}

Ave Verum Corpus [Mozart-Hudadoff] {sax. quart.: set 37/690-3[9] #score only}

Ave verum KV 618: [for violin (or cello) & piano] [Mozart-Palaschko] {set 28/033-6}

Batti, batti (Beat, O beat me) {from Don Giovanni}: [sop. aria: Zerlina] {17/418-3}

Cantabile Op. 17 no. 7: [arr. for violin (or cello) & piano] [Mozart-Moffat] {set 28/033-8 #sep. violin & cello parts}

Cinq divertissements 3-5: pour hautbois, clarinette et basson {set 36/064-1(3-5) #score and parts}

Clarinet concerto KV 622 [.] {clar. & piano: set 36/064-5}

Clarinet concerto A major K 622 {min. sc. 04/016-1}

Clarinet quintet KV 581 [Mozart-Catelinet] {clar. & piano: set 37/064-6 a-b : 2 copies #score only (both copies)}

Clarinet quintet A major K.581 {min. sc. 04/016-3}

Concerto E flat major K.365: for two pianos & orch. {min. sc. 04/016-6}

Concerto for oboe & orch. K.314 [Mozart-Paumgartner] {oboe & piano: set 36/064-3 b}

Concerto in A major K 488 [Mozart-York] {p. duo: 22/031-9 a}

Concerto in C major K 467 [Mozart-Bischoff] {p. duo: 22/031-4}

Concerto in D major (Coronation concerto) K 537 [Mozart-Rehberg] {p. duo: 22/031-8}

Concerto in D minor K 466 [Mozart-Kullak] {Schirmer: p. duo: 22/031-3 a}

Concerto in E flat K.268 {violin & piano: set 28/033-4 #score only}

Concerto [No. 14] in E flat major, K 449 [Mozart-Kullak] {p. duo: 22/031-1}

Concerto in F major K 459 [Mozart-Philipp] {p. duo: 22/031-2}

Conzert für die Oboe {oboe & piano: set 36/064-3 a #oboe part incompl. (MS only)}

Coronation Mass (Krönungs-Messe) K.317: 4-part chor. of mixed v. w. SATB soli [Mozart-Taubmann] {Schirmer: 02/085-2 b}

Così fan tutte: comic opera in two acts [Mozart-Willner] {Boosey: 06/032-1 c}

Cosi fan tutte (Weibertreue): opéra-comique [Mozart-Litolff] {p. solo: 02/014-1[3]}

Così fan tutte (Women are like that): opera {Schirmer: 06/032-1 a-b : 2 copies}

Dance movements from Mozart [Mozart-Diack] {p. solo: 21/254-2.5}

Deh vieni, non tardar (O hasten, tarry not) {from The Marriage of Figaro}: sop. aria: Susanna, w. recit. Giunse alfin il momento (Now the moment approaches) {17/418-4}

The Deluded Bridegroom: opera {06/032-2}

Divertimento 1-2 B flat major K 229/1-2: for two clar. & bassoon {set 36/064-1(1-2) #inc. oboe part in MS.}

Don Giovanni: opera in two acts [Mozart-Roth] {Boosey: 06/032-3 b}

Don Giovanni {p. solo: 21/254-1}

Don Juan: Opera buffa [Mozart-Kogel] {06/032-3 c}

Don Juan [Mozart-Litolff] {p. solo: 21/254-1.5}

Don Juan overture (Collection Litolff 620) [Mozart-Chwatal] {2 p. : 8 h.: 22/031-11 #Piano 1 score only}

Dove sono (Gone forever) {from The Marriage of Figaro}: sop. aria: Countess Rosina, w. recit. E Susanna non vien! (Oh! Susanna is late!) {17/418-5 a-b : 2 copies}

Drittes Konzert K 216 {violin & piano: set 28/033-3 #violin part only}

Duos No. 1 in G K 423 No. 2 in B flat K 424 {violin & viola: 29/007 #violin part only}

Eighteen sonatas [Mozart-Rihm] {violin & piano: set 28/033-2 a-b : 2 copies #a: score only}

Endlich naht sich die Stunde (Giunse alfin il momento) {from The Marriage of Figaro}: [sop. recit. & aria: Susanna] {17/419-11}

Exsultate jubilate K 165: motet {International: 05/013-1 a}

Fantasia & sonata in C minor K 475 & 457 {ABRSM: p. solo: 21/254-6.1(14)}

Fantasia & sonata in C minor K 475 & 457 {Augener: p. solo: 21/254-6.2(14) a-b : 2 copies}

Fantasia in C minor K 396 {ABRSM: p. solo: 21/254-6.1(25) a-b : 2 copies}

Fantasia in F minor and major for a mechanical organ [Mozart-Ley] {40/175-1}

Favourite waltzes No. 4 [Mozart-West] {p. solo: 21/254-9}

Figaro's Hochzeit (Les Noces de Figaro): opéra-comique [Mozart-Litolff] {p. solo: 02/014-1[2]}

First Mass (in C) [Mozart-Novello] {SATB soli: 02/085-1 a-c : 3 copies}

Four horn concertos and Concerto rondo {Schirmer: horn & piano: set 35/062-2 a-b : 2 copies : Horn in F #score only}

Gentle lady (Madamina) {from Don Giovanni}: [bass aria: Leporello] {17/418-6}

Gigue in G K 574 {p. solo: 21/254-2}

Give me thy hand (Là ci darem) {from Don Giovanni}: voc. duet [sop. & bar.] {18/107}

Gloria in Excelsis {from 12th Mass} [Mozart-Rheinhault] {p. solo: 21/254-8 a-b : 2 copies}

Die Hochzeit des Figaro (Le Nozze di Figaro): komische Oper {Breitkopf & Härtel: 06/032-5 g}

Horn concerto Eb major KV 417 {horn: min. sc. 04/016-13}

Horn concerto in E flat KV 495 [Mozart-Salomon] {Boosey & Hawkes: horn & piano: set 35/062-1 b : Horn in F #lacks horn part}

Horn concerto no. 4 in E flat KV 495 {British & Continental: horn & piano: set 35/062-1 c : Horn in Eb}

Horn concerto in E flat KV 447 [Mozart-Salomon] {Boosey & Hawkes: horn & piano: set 35/062-3 : Horn in F}

Klavier-Quartette K.478 u. K.493 {Peters: set 24/015-3 #score & cello part only}

Konzert A dur KV 488: [2-piano reduction] {Peters: 22/031-9 b-c : 2 copies}

Konzert K.488 A major [Mozart-Fisher] {p. solo: 21/254-3.5 a}

Konzert C-Dur K 246 {p. duo: 22/031-5}

Konzert Nr 1 G dur K 313 {flute & p./ cont.: set 36/064-2}

Konzert Es-dur für Horn und Orchester KV 495 [Mozart-Kling] {Breitkopf & Härtel: horn & piano: set 35/062-1 a : Horn in Eb #lacks horn part}

Konzert No. 5 A dur: [violin & p. red.] {set 28/033-7}

Larghetto {from Quintette Op. 108}: [for oboe & piano] {set 36/064-4[2] #oboe part only}

Larghetto {from Quintette Op. 108}: [for clar. & oboe w. piano accomp.] {set 36/064-4 #score only}

Larghetto {from Quintette Op. 108}: [for clar. & piano] {set 36/064-4[1] #score only}

Lullaby (Wiegenlied) {17/419-9 : [No. 2 in] G}

The Magic Flute (Die Zauberflöte): opera in 2 acts [Mozart-Stein] {06/032-4 a-b : 2 copies}

The magic flute: overture {chamb. orch.: orch. sc. 43/005 #no sep. parts}

Marcia turca {dalla Sonata in LA maggiore} [Mozart-Marciano] {Ricordi: p. duet: 22/032-6}

The Marriage of Figaro (Le Nozze di Figaro): comic opera in 4 acts [Mozart-Stein] {Boosey: 06/032-5 a-b,e-f : 4 copies}

The Marriage of Figaro, K 492: comic opera {Kalmus: 06/032-5 c}

Menuet célèbre {p. solo: 21/254-3}

Menuett aus dem D dur-Divertimento (KV 334) {violin & piano: set 28/033-5}

Messe C-Dur (Krönungsmesse) KV 317 [Mozart-Taubmann] {Breitkopf & Härtel: SATB soli: 02/085-2 a}

Minuet and Trio in E flat [Mozart-Lee] {p. duet: 22/031-6}

Miscellaneous pieces: [22 pieces] {p. solo: 21/254-4 a-b : 2 copies}

Missa C-Dur (Krönungsmesse) KV 317 [Mozart-Burmeister] {Peters: SATB soli: 02/085-2 c}

Mozart (School of Easy Classics): [12 pieces] not simplified [Mozart-Beringer] {p. solo: 21/254-9.5}

Nineteen sonatas {p. solo: 21/254-5.3}

Non più andrai (Never more) {from The Marriage of Figaro}: [bass. aria: Figaro] w. recit. Ehi, Capitano! {17/418-9}

Oh! Isis und Osiris guide them {from The Magic Flute}: [bass aria: Sarastro] {17/418-7}

Ouvertüren: [arr. as p. duets] [Mozart-Kleinmichel] {22/031-10 a-b : 2 copies}

Phantasie no. 3 in D minor K 397 {Augener: p. solo: 21/254-9.6}

Piano concerto in A major K.488 [Mozart-Fisher] {p. solo: 21/254-3.5 b}

Piano concerto no. 13 C major K.415 {min. sc. 04/016-4}

Piano concerto no. 20 in D minor K 466 {Music Minus One: p. duo: 22/031-3 b}

Piano concerto F major K.459 {min. sc. 04/016-5}

Piano quartet Eb major KV 493 {min. sc. 04/016-10}

Piano trios (Urtext) {Bärenreiter: p. trio: vn & vc: set 24/015 b #score only}

The pilgrim (Choral from Magic Flute) [Mozart-Hutchings] {organ: 40/175-2}

Porgi, amor, qualche ristoro {from The Marriage of Figaro}: [sop. aria: Countess Rosina] {17/418-8}

Quaere superna: sop. aria, w. recit. Ergo interest {17/419-1}

Quartet No. 30 F major (K.370) {oboe quart.: set 42/025-2 a #parts only}

Quartets K.478 g-Moll, K.493 Es-Dur {Peters: p. quart.: set 24/015-2 #score only}

Quartett in F KV 370 (368b) {oboe quart.: set 42/025-2 b}

Quartette Bd 1 (1-10) {str. quart.: set 42/025-4(1)}

Quartette Bd 2 (11-27) {str. quart.: set 42/025-4(2)}

Quintett Es dur KV 452: für Oboe, Klarinette, Horn, Fagott und Klavier {set 42/025-3 #lacks bassoon part}

Requiem Mass K 626: for SATB soli, SATB & orch. [Mozart-Best] {02/085-3 a-d : 4 copies}

Requiem K.626: for soli, chor. & orch. {02/085-5}

Ridente la calma (How calm is my spirit): canzonetta [Mozart-Northcote] {17/419-2}

Rondo alla turca [Mozart-Geehl] {p. duet: 22/031-7}

Rounds and canons {15/045}

A second Mozart suite {from the Kegel-Duette} [Mozart-Gordon] {2 rec. & piano: set 36/064-6 #Lacks Treble part}

Il Seraglio - overture KV 384 {full orch.: min. sc. 04/016-9}

Serenade (Eine kleine Nachtmusik) K 525 {p. duet: 22/032-3 a}

Serenade (Eine kleine Nachtmusik) KV 525 [Mozart-Singer] {p. duet: 22/032-3 b : => 22/031-13 b}

Serenade in G (eine kleine Nachtmusik) K.525 {p. solo: 21/254-4.5}

Serenade No. 12, C minor K 388 {min. sc. 04/016-2}

Seven arias from opera and oratorio {contr.: 12/009.5}

Seven concert arias for bass voice and piano {14/055-1}

Sieben Variationen über das Duett .. aus 'Die Zauberflöte' von Mozart {cello & piano: set 33/011-4}

Sinfonia oncertante E flat major K.364: for violin & viola w. orch. {min. sc. 04/016-7}

Six minuets (K.1,2,4,5,94 & 355) {ABRSM: p. solo: 21/254-3.2 a-b : 2 copies}

Six Viennese sonatinas {p. solo: 21/254-7.1 a-b : 2 copies}

So, sir page (Non più andrai) {from The Marriage of Figaro}: [bass aria: Figaro] {17/419-3}

Softly rest (Ruhe sanft) {from Zaide}: [sop. aria: Zaide] [Mozart-Howe] {17/419-4}

Sonata 2 in B flat (original) K. 358 [Mozart-Fisher] {Peters: p. duet: 22/032-4 c}

Sonata no. 5 in G K 283 {Augener: p. solo: 21/254-6.2(5)}

Sonata no. 6 in D major [K. 284] {Joseph Williams: p. solo: 21/254-6.3(6)}

Sonata no. 9 in D K 311 {Augener: p. solo: 21/254-6.2(9)}

Sonata no. 12 in F [K. 332] {Joseph Williams: p. solo: 21/254-6.3(12) a-b : 2 copies}

Sonata no. 16 in C K 545 {Augener: p. solo: 21/254-6.2(16)}

Sonata no. 17 in Bb K 570 {Augener: p. solo: 21/254-6.2(17)}

Sonata and Fugue K.448, 426: 2 pianos, 4 hands [Mozart-Ruthardt] {p. duo: set 22/032-7}

Sonata in A K 331 {ABRSM: p. solo: 21/254-6.1(11) a-d : 4 copies}

Sonata in A K 331 {ABRSM: p. solo: 21/254-6(11) a-b : 2 copies}

Sonata in B flat K. 358 [Mozart-Kraft] {Francis, Day & Hunter: p. duet: 22/032-4 b}

Sonata in B flat K. 358 {Augener: p. duet: 22/032-4 a}

Sonata in B flat K 570 {ABRSM: p. solo: 21/254-6(17)}

Sonata in B flat K 281 {ABRSM: p. solo: 21/254-6(3)}

Sonata in B flat K 333 {ABRSM: p. solo: 21/254-6(13)}

Sonata in C K 545 {ABRSM: p. solo: 21/254-6.1(15) a-b : 2 copies}

Sonata in C K 309 {ABRSM: p. solo: 21/254-6(7) a-b : 2 copies}

Sonata in C K 545 {ABRSM: p. solo: 21/254-6(16)}

Sonata in D, K.381 {p. duet: 22/032-5}

Sonata in D K 311 {ABRSM: p. solo: 21/254-6.1(9) a-b : 2 copies}

Sonata in E flat K 282 {ABRSM: p. solo: 21/254-6.1(4)}

Sonata in E flat K 282 {ABRSM: p. solo: 21/254-6(4)}

Sonata in F K 332 {ABRSM: p. solo: 21/254-6.1(12)}

Sonata in F K 533 {ABRSM: p. solo: 21/254-6(15)}

Sonata in G K 283 {ABRSM: p. solo: 21/254-6(5) a-b : 2 copies}

Sonatas: [20 sonatas] {Novello, Ewer: p. solo: 21/254-5.2[1]}

[Sonatas by Mozart and Beethoven] {Novello, Ewer: p. solo: 21/254-5.2}

Sonatas vol. 1 [1-10] {ABRSM: p. solo: 21/254-5.1(1) a-c : 3 copies}

Sonatas vol. 2 (11-20) {ABRSM: p. solo: 21/254-5.1(2) a-c : 3 copies}

Sonate G dur [Mozart-Grieg] {p. duo: 22/032-2 #2nd piano only}

Sonaten Bd 1 (1-12) {Henle: violin & piano: 28/033-1(1)}

Sonaten [1-19] {Peters: violin & piano: set 28/033}

Sonaten Bd 2 (10-18) {Peters: p. solo: 21/254-5(2)}

Sonaten: [18 sonatas] {Henry Litolff: p. solo: 21/254-5.4[1]}

Sonaten: [18 sonatas] {Peters: p. solo: 21/254-5}

Sonaten, Fantasien und Rondi 1: Urtext {p. solo: 21/254-5.5(1)}

Sonates 1-18 {violin & piano: set 28/026[2]}

Songs from Don Giovanni, Bk 4 - baritone & bass {bar./ bass: 14/055-2}

Songs from Figaro Bk 1 (soprano): [3 songs] [Mozart-Randegger] {11/015-3(1)}

Songs from Figaro Bk 2 (soprano): [4 songs] [Mozart-Randegger] {11/015-3(2)}

The songs in Le Nozze di Figaro Bk 2 (soprano): [4 songs] {11/015-4(2) a-b : 2 copies}

Streich-Quartette Bd 1 (1-10) {set 42/025-4(1)}

Streich-Quartette Bd 2 (11-27) {set 42/025-4(2)}

String quartet Bb major KV 458 {min. sc. 04/016-12}

String quartet Eb major KV 428 {min. sc. 04/016-11}

Sweet zephyr (Sull' aria) {from Le Nozze di Figaro}: duet [sop. & sop. Susanna & the Countess] {18/107-2}

Symphonie C major ('Jupiter') {Eulenburg: min. sc. 04/017 b}

Symphonien Bd 1 Nr 1-6 [Mozart-Ulrich] {p. duo: 22/031(1) a}

Symphonien Bd 1 Nr 1-6 [and] Twelve symphonies Bk 2 Nos. 7-12 [Mozart-Ulrich] {p. duet: 22/031}

Symphony C major ('Jupiter') K 551 {min. sc. 04/017 a}

Symphony D major ('Haffner') K. 385 {min. sc. 04/016-8}

The ten celebrated string quartets {42/025-1}

Ten sonatas, vol. 2 (11-20) {p. solo: 21/254-5.25(2)}

Thirty songs: rev. ed. [Mozart-Pauer] {09/125 a-b : 2 copies}

Tiger! Wetze nur die Klauen {from Zaide}: aria for sop. {17/419-13}

Trio op. 14 no. 2: for piano, clarinet (or violin) and viola {set 24/015-5 #violin & clarinet parts only}

Trio No. 6 in B flat {p. trio: vn & vc: set 24/015(6)}

Trios [1-9] {p. trio: vn & vc: 24/015 a}

Twelfth Mass {from Three favourite Masses - by Mozart, Haydn & Beethoven} {SATB soli: 02/085-4 : 2 copies}

Twelve symphonies Bk 1 Nos. 1-6 {p. duet: 22/031(1) b}

Twelve symphonies Bk 2 Nos. 7-12 {p. duet: 22/031[2]}

Twenty-one concert arias for soprano vol. 1: [10 songs] {Schirmer: 11/015-5(1)}

Twenty-one concert arias for soprano vol. 2: [11 songs] {Schirmer: 11/015-5(2)}

Two arias: arr. for Bb clar. & piano [Bach-Benoy] {set 36/064-7 a-b : 2 copies #b: score only}

Vedrai, Carino, se sei buonino {from Don Giovanni}: [sop. aria: Zerlina] {17/419-5}

The viennese sonatinas {p. solo: 21/254-7.2}

The violet (Das Veilchen) {sop.: 17/419-10}

Voi che sapete (Ye who of loving know the magic art) {from The Marriage of Figaro}: [sop. aria: Cherubino] {17/419-6 : No. 3 in Bb (orig.)}

When a maiden takes your fancy {from Il Seraglio}: [bass aria: Osmin] {17/419-7}

Within these sacred bowers {from The Magic Flute}: [bass aria: Sarastro] {bass: 17/419-8}

[Works by Mozart and Mendelssohn] {p. solo: 21/254-5.4}

Zwei leichte Divertimenti für Violine (Oboe), Violoncello (Fagott) und Klavier KV 252 (240a), KV 240 [Mozart-Naumann] {set 24/015-4 #lacks vn/oboe part}

Muczynski, Robert (1929-2010) Polish-American

Fantasy trio for clarinet, cello and piano Op. 26 {set 37/068}

Mueller, Wenzel (1767-1835) Austrian

see Müller, Wenzel

Mugellini, Bruno (1871-1912) Italian

Wohltemperiertes Klavier 2er Teil: [2nd book of 24 from the] 48 Preludes & Fugues [Bach-Mugellini] {Breitkopf & Härtel: 21/015-7(2)}

Wohltemperirtes Clavier Bk 1: [1st book of 24 from the] 48 Preludes & Fugues [Bach-Mugellini] {Breitkopf & Härtel: 21/015-7(1)}

Mulder, Jules (19th-20th c.)

Fantasia on Scottish airs {p. trio: vn & vc: set 24/015.5}

Mulet, Henri Gabriel (1878-1967) French

Tu es petra {Esquisses Byzantines no. 10}: carillon pour orgue {40/175.3(10)}

Mullen, Alfred Frederic (1868-1936) English

see also Gustave Lind

A tramp abroad: suite of characteristic dances {p. solo: 21/256}

Mullen, James B (19th-20th c.)

Under a panama {from Sergeant Brue}: [song] {16/050-5 [13]}

Müller, August Eberhard (1767-1817) German

Die Schöpfung (The Creation): oratorio [STB soli, chor. & orch.] [Haydn-Müller] {OUP: 08/029-1.21}

Müller, Wenzel (1767-1835) Austrian

Twelfth Mass {from Three favourite Masses - by Mozart, Haydn & Beethoven} {SATB soli: 02/085-4 : 2 copies}

Müller-Hartmann, Robert (1884-1950) German

Arrival of the Queen of Sheba {from Solomon} [Handel- Müller-Hartmann] {p. solo: 21/166-0 a-b : 2 copies}

Mungo-Park, Muriel (20th c.) Scottish

Oranges and lemons: waltz for two pianos {set 22/032.3}

Munro, D R

My ain wee house: Scotch song {17/421 b-c : 2 copies : [No. 1 in] F}

My ain wee house: Scotch song {17/421 a : [No. 2 in] A}

Munro, George (c1680-1731) English

My lovely Celia: song [Munro-Wilson] {17/581-3 : No. 2 in G}

Murdoch, J O

The Messiah's Coming: sacred cantata {01/060.7}

Murdoch, Mackenzie (1871-1923) Scottish

see Mackenzie-Murdoch, William

Murdoch, William David (1888-1942) Australian

Concerto in D minor (after Vivaldi) [Bach-Murdoch] {p. solo: 21/017-9}

Murray, Alan (1890-1952) English

All my life-time: song {17/423-6 : No. 2 in F}

A breath of home: song {17/423-8 : No. 1 in F + No. 2 in Ab}

Close your sleepy eyes: song {17/423-1 : Db}

The constant flame {17/423-7 : No. 1 [in Eb]}

I'll walk beside you: song {17/423 a,c,g : 3 copies : No. 2 in G b,d-f) No. 1 in Eb}

I'll walk beside you: song {17/423 b,d-f : 4 copies : No. 1 in Eb}

I'll walk beside you: song {18/108}

Love is the star: song {17/423-2 : No. 2 in C}

She shall have music: song {17/423-9 : in G}

Shepherd of souls: song {17/423-3 : No. 2 in Eb}

Soldier, what is the news you bring?: song {17/423-4 : No. 2 in A min}

These you have loved: song {17/423-5 : No. 2 in Eb}

Murray, Dom Gregory (1905-1992) English

Agnus Dei [Obrecht-Murray] {set 38/038[2] #score only}

Canzona [Isaac-Murray] {set 38/038[3] #score only}

First book of short organ interludes for liturgical use {40/176-1(1)}

Three trios for [SAT] recorders [by] Jacob Obrecht & Hendrik Isaac {set 38/038 #score only}

Trio [Obrecht-Murray] {set 38/038[1] #score only}

Murrill, Herbert (1909-1952) English

Carillon {organ: 40/176.5}

Crown imperial: Coronation march (1937) [Walton-Murrill] {organ: 40/264-1}

Mussorgsky, Modest Petrovich (1839-1881) Russian

Bilder einer Ausstellung (Pictures at an exhibition) {p. solo: 21/252-1 a}

Boris Godunov: narodnaia muzikal'naia drama [Mussorgsky-Rimsky-Korsakov] {06/033}

Cradle song (Song and Dances of Death, no. 2) {contr.: 17/416-1}

Fünf posthume Werke {p. solo: 21/252-2}

Gopak: danse petite Russienne {p. duet: 22/032.4}

Une larme {p. solo: 21/252-3}

La prière du soir (The evening prayer) {17/416-2}

Song of the flea (Chanson de la puce / Pesnia Mefistofelia): for bass v. & piano {17/416-3 b}

Song of the flea (Chanson de la puce / Pesnia Mefistofelia) {Chester: bar./ bass: 17/416-3 a}

Song of the flea (Chanson de la puce / Pesnia Mefistofelia) {Chester: 17/416-3 c}

Tableaux d'une exposition (Pictures at an exhibition): 10 pieces for piano {21/252-1 b-c : 2 copies}

Myddleton, William Henry (1858-1917) Welsh

The Rose Op. 30: selection on English melodies (concert edition) {p. quart: db: orch. sel. 24/016-3 #score, v1 cond., cello & bass}

The shamrock Op. 14: selection on Irish melodies (concert edition) {p. quart: db: orch. sel. 24/016-1 a-b : 2 copies #a: score, v1 cond., cello & bass}

The Thistle Op. 23: selection on Scotch melodies (concert edition) {p. quart: db: orch. sel. 24/016-2 #score, v1 cond., cello & bass}

Myers, Sherman [=Herbert Carrington] (1890-1957) English

see also Ewing, Montague (pseud.)

God will remember (Bells at eventide): song {17/424-1 : No. 2 in F}

When lights are low in Cairo: Eastern song fox-trot {p. voc. + sol-fa 17/424-2 : No. 2 in F}

Myles, Henri

The skylark galop {p. solo: 21/257}

786 works by 179 composers, with 14 arrangers or second composers and 14 cross-references