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Gounod, Charles-François (1818-1893) French Au rossignol: harmonie poetique (paroles de A. de Lamartine) {sop./ ten. : voc. sc. : Choudens : No. 3 in ? : French } 17/224-1 Ave Maria: for mez., violin or violoncello solo, p. & org. / by J S Bach (adapted to J. S. Bach's 1st Prelude; Eng. words Henry Chorley) {set : Schott's Söhne : No. 2: mez. (F) : Latin } 10/045-9[11] No English words! Ave Maria (adapted to J. S. Bach's 1st Prelude; Eng. words Henry Chorley) {sop./ ten. : voc. sc. : Schott : No. 6 (G) : Latin & English } 17/224-3 a Ave Maria (adapted to J. S. Bach's 1st Prelude; Eng. words Henry Chorley) {contr. : voc. sc. : Schott : No. 8 in D : Latin & English } 17/224-3 b Ave Maria (adapted to the 1st Prelude of J. S. Bach) {bar. : voc. sc. : Wood : [No. 9] Eb : Latin & English } 17/224-3 c Ave Maria: for mez., violin or violoncello solo, p. & org. (adapted to J. S. Bach's 1st Prelude; Eng. words Henry Chorley) {set : Schott : No. 2: F : Latin & English } 17/224-3 d Ave Maria: meditation / sacred song (adapted to the 1st Prelude of J. S. Bach; Eng. words Lionel Mundy) {mez. : voc. sc. : Ricordi : No. 3 in F : Latin & English } 17/224-3 e Ave Maria : meditation / sacred song: for sop./ten., violin or violoncello solo, p. & org. (adapted to J. S. Bach's 1st Prelude; Eng. words Henry Chorley) {set : Schott : No. 1 in G : Latin & English } 17/224-3 f Ave Maria (Spirit Eternal) (words by R. R. Hall) {p. voc. + sol-fa : Bayley & Ferguson} 17/224-4 Ce que je suis sans toi: mélodie (paroles de L. de Peyre) {sop. : voc. sc. : Choudens : No. 2 : French } 17/224-5 The celebrated waltz song {from Romeo and Juliet} (Eng. words by Edward Lockton) {voc. sc. : Ascherberg, Hopwood & Crew} 16/020(3) [2] Cross of Calvary (Ave Maria!) ([by] Alfred Phillips) {mez./ bar. : voc. sc. : Schirmer : [No. 2]: Ab} 17/224-6 Death and life (Mors et vita): sacred trilogy [oratorio for STB soli, chor., double chor. & orch.] {voc. sc. : Unidentified Publisher} 08/024-1 Duo {from Philémon et Baucis}: duo (mez. & bar.) (poème de J. Barbier & M. Carré) {voc. sc. : Choudens : French } 18/067-1 Entreat me not to leave thee: song of Ruth (Song of Ruth) {voc. sc. : Weekes : No. 1 in Bb} 17/224-7 a Entreat me not to leave thee: song of Ruth (Song of Ruth) {voc. sc. : Weekes : No. 2 in C} 17/224-7 b Fantasia on 'Faust': for violin w. accomp. (ad lib.) for p-forte, 2nd violin & violoncello (arr. Henry Farmer) {set : Paxton} 28/071(6) lacks violin & optional cello parts Faust ([French libretto by Jules Barbier and Michel Carré]) {libr. : EMI : French & English } 03/055 Faust: complete book of lyrics ... and four gems from the opera {voc. sc. : Moody-Manners} 09/079-1 Faust: grand opera {voc. sc. : Unidentified Publisher : French & English } 06/020 a-b Faust: grand opera (Eng. version H. F. Chorley; arr. Clarence Lucas) {voc. sc. : Chappell : English & French } 06/020-1 additional Eng. libretto for "Jack of Hearts" in MS. by William Jolly(?) Faust: grand opera (piano solo) (arr. Clarence Lucas) {Chappell} 21/152.2 Faust: opera selection for concert performance (sel. & arr. John Pointer) {voc. sc. : Novello} 09/079-3 Faust: operatic selection (arr. Dan Godfrey) {voc. sc. : Pitman, Hart} 09/079-2 Faust: concert selection (ed. & arr. John Pointer) {sol-fa only : Novello} 44/025-1 The flower song {from Faust} (words by H. F. Chorley) {p. voc. + sol-fa : Bayley & Ferguson : English & French } 17/224-8 Forever with the Lord! (words by J. Montgomery) {voc. sc. : Phillips & Page : [No. 4 in] Eb} 17/225-1 The guardian angel: song (words by Henry Farnie) {voc. sc. : Metzler : No. 1 in C} 17/225-2 If thou art sleeping, maiden, awake!: song (words by Longfellow) {voc. sc. : Weekes} 10/045-9[18] The jewel song {from Faust} (arr. Alfred Moffat; Eng. version H. F. Chorley) {p. voc. + sol-fa : Bayley & Ferguson} 17/225-3 a-b The King of love my Shepherd Is: sacred song (words by Sir Henry W. Baker) {voc. sc. : Phillips & Page : in F} 17/225-4 a-d d missing; a-c: Francis & Co. seller's impr. Lend me your hand: voc. duet for ten. & bar. (words by Henry Farnie; arr. Ernest Newton) {voc. sc. : Metzler} 18/067-3 Loving smile of sister kind (Invocation) {from Faust}: cavatina (O. Pradère; Eng. words by Henry F. Chorley) {voc. sc. : Chappell : No. 1 in C : English & French } 17/225-5 a Loving smile of sister kind (Invocation) {from Faust}: cavatina (O. Prad?re; Eng. words by Henry F. Chorley) {voc. sc. : Chappell : No. 2 in Db : English & French } 17/225-5 b Meditation (Ave Maria) {cello & piano : set : Joseph Williams} 33/069-3 [1] lacks cello part Méditation sur le 1er Prélude de J.S. Bach (Ave Maria) {p. solo : Schott} 21/152.2-2 Medjé: chanson arabe (poésie de Jules Barbier) {voc. sc. : Choudens : No. 3 in ? : French } 17/225-6 a-b b: Cramer seller's impr. Messe solennelle (St Cecilia) (arr. Joseph Barnby) {SATB soli : voc. sc. : Novello : Latin } 02/085[3] Messe solennelle de Sainte Cécile: for STB soli, SATB & orch. or organ (rev. Michael Pilkington) {voc. sc. : Novello : Latin } 02/050-1 b Messe solennelle (St Cecilia): [for STB soli, SSTTBarB chor. & orch.] (ed. & arr. Joseph Barnby) {voc. sc. : Novello : Latin } 02/050-1 a Mignon: mélodie (poésie de Louis Gallet) {sop. : voc. sc. : Choudens : No. 2 : French } 17/225-7 Nazareth ('Though poor be the chamber'): anthem for bar. solo & chor. (words by Henry F. Chorley; arr. John E. West) {voc. sc. : Novello} 02/050-2 a-b Nazareth: sacred song (A. Porte; Eng. words by Henry F. Chorley) {p. voc. + sol-fa : Broome : No. 2 in Eb} 17/225-8 Nuit resplendissante: cantilène [organ & violin ad lib.] {set : Léon Grus : French } 17/226-1 organ part impf. O divine Redeemer! (Repentir): scena (words by Alfred Phillips; arr. Leigh Kingsmill) {voc. sc. : Cramer : in G} 17/226-2 a-b O divine Redeemer! (Repentir): scena (words by Alfred Phillips; arr. Leigh Kingsmill) {voc. sc. : Cramer : in C} 17/226-2 c O divine Redeemer! (Repentir): scena (words by Alfred Phillips; arr. Leigh Kingsmill) {voc. sc. : Phillips & Page : in G} 17/226-2 d O divine Redeemer! (Repentir): scena (words by Alfred Phillips; arr. Leigh Kingsmill) {voc. sc. : Phillips & Page : in A} 17/226-2 e O divine Redeemer! (Repentir): scena (words by Alfred Phillips; arr. Leigh Kingsmill) {voc. sc. : Cramer : in Bb} 17/226-2 f O divine Redeemer: voc. duet for sop. & contr. (words by Alfred Phillips) {voc. sc. : Cramer : in C} 18/067-2 The Redemption: sacred trilogy (ed. Berthold Tours) {voc. sc. : Novello} 08/024-2 a-c Repentir (Parce Domine / O divine Redeemer!): prayer ([Eng, words by Alfred Phillips]) {mez./ bar. : voc. sc. : Schirmer : Db : French & Latin & English } 17/226-3 Sérénade {cello & piano : Beal, Stuttard} 33/099(1) [2] score only Serenade (Sing on) {voc. sc. : Hutchings & Romer : English & French } 17/226-4 Sérénade: berceuse (poésie de Victor Hugo; Eng. words Henry F. Chorley) {voc. sc. : Schott : No. 2 in F : French & English } 10/045-4[12] Serenade: for oboe & piano (arr. Lionel Salter) {set : OUP} 36/031.2 She alone charmeth my sadness {from Irene (''La reine de Saba'')}: recit. & air (words by Henry Farnie) {voc. sc. : Metzler : No. 1 in E : English & French } 17/225-9 There is a green hill far away: sacred song (words by Mrs C.F. Alexander) {voc. sc. : Novello : No. 2 in E} 17/226-5 a There is a green hill far away: sacred song (words by Mrs C.F. Alexander) {voc. sc. : Novello : No. 3 in D} 17/226-5 b There is a green hill far away: sacred song (words by Mrs C.F. Alexander) {voc. sc. : Novello : No. 1 in F} 17/226-5 c Valse song {from Romeo and Juliet} {voc. sc. : Chappell : No. 4bis: F (orig.)} 17/226-6 Waltz song {from Romeo and Juliet} (Eng. version Edward Oxenford) {voc. sc. : Greening : English & French } 17/226-7 Watching and praying: song, with v. obbl. ad lib. (words by H. L. D'Arcy Jaxone) {voc. sc. : Beal : No. 2 in Bb} 10/045-5[6] inc. violin part When all was young {from Faust}: romance w. v-c obbl. (Eng. Henry F. Chorley, Fr. O. Pradère) {voc. sc. : Chappell : No. 2 in A : English & French } 16/050-4 [34] When all was young and pleasant {from Faust}: Siebel's song {p. voc. + sol-fa : Bayley & Ferguson : English & French } 17/226-8 65 works by 1 composers, with 0 arrangers or second composers and 0 cross-references |