Music Scores selected by Title

from the Library of the
North East of Scotland Music School

Saturday 10th December 2022

Search limited to letter 'A'

A toi! : A toi! {p. solo: Elliott : 21/128-1 a-b : 2 copies}

Abegg Op. 1 {p. solo: Schumann-Fauré : 21/334-7[1]}

[Abegg; and Papillons] {p. solo: Schumann : 21/334-7}

L'Abeille {set: violin & piano: Schubert-Wilhelmj : 28/044-3}

Abenddämmerung (The twilight hour) {Brahms : 17/098-4 high v. E}

Abendsegen {from Hansel & Gretel} {set: cello & piano: Humperdinck-Goltermann : 33/040(2)}

Abide with me : sacred song {Liddle : 17/344-1 a : 2 copies No. 2 in Db}

Abide with me : sacred song {Liddle : 17/344-1 b,d : 2 copies No. 1 in C : Boosey}

Abide with me : sacred song {Liddle : 17/344-1 c No. 2 in E}

Abide with me : sacred song {Liddle : 17/344-1 e-f : 2 copies No. 3 in Eb : Boosey}

Abide with me : favorite sacred song {p. voc. + sol-fa: Liddle-Newman : 17/344-1.1 : Paxton}

Abscheulicher {from Fidelio} : [sop. recit. & aria] {Beethoven : 17/050-1}

Absent : song {Metcalf : 17/398 a No. 3 in Bb}

Absent : song {Metcalf : 17/398 b No. 2 in G}

Absent : song {Metcalf : 17/398 c No. 4 in Bb}

Academic festival overture Op. 80 {min. sc.: full orch.: Brahms : 04/007-6}

Acclamations : Valses no. 1-3 + Coda {p. solo: Waldteufel : 16/040 [4/7]}

Ach! Ich habe Sie verloren {from Orpheus} : [for sop. & orch.] {set: sop.: Gluck : 43/003 #p.cond. + sop.,6xV1, 5xV2,4xVa, 3xVc, 3xDb}

Acht-und-vierzig Lieder ohne Worte {p. solo: Mendelssohn : 21/254-5.4[2] : Henry Litolff #lacks pp. 97-98}

Achtzehn Nocturnes {p. solo: Field : 21/138-2}

Achtzig Choralvorspiele deutscher Meister des 17. und 18. Jahrhunderts {organ: Var. Comp. : 40/032-9}

Acis and Galatea : serenata [for SATB soli & chor.] {Handel-Barnby : 08/027-1 a-c : 3 copies}

Acis and Galatea : serenata [for SATB soli & chor.] {sol-fa only: Handel-McNaught : 44/027-3}

Across the valley : song {Baxter : 17/044}

Act 2 from Orpheus : opera in 3 acts {Gluck-Parker : 06/019(2) a : Weekes}

Adagietto {from L'Arl?sienne} {set: sax. quart.: Bizet-Cailliet : 37/690-3[4] #score only}

Adagio {set: oboe & piano: Bach-Rothwell : 36/001-4}

Adagio and allegro Op. 70 : [for horn or oboe or violin or violoncello & piano] {set: Schumann : 35/078}

Adagio and canzona {set: p. duo: Purcell-Berkowitz : Cab/22/033-3}

Adagio en sol mineur {p. solo: Albinoni-Carol : 21/006.5}

Adagio for strings {organ: Barber-Strickland : 40/055}

Adelaide {Beethoven : 17/050-5 No. 1 in G}

Adieu forêts (Farewell ye mountains) {from Jeanne d'Arc} : sop. recit. & aria {mez.: Tchaikovsky : 17/550-1 a in D}

Adieu forêts (Farewell ye mountains) {from Jeanne d'Arc} : sop. recit. & aria {Tchaikovsky : 17/550-1 b (F)}

Adieu sweet Amaryllis {set: sax. quart.: Wilbye-Harvey : 37/690-2[10] #score only}

The adjutant : song {Fisher : 17/192-2 No. 1 in F}

The admiral's broom : song {Bevan : 17/076-2 a [in G]}

The admiral's broom : song {Bevan : 17/076-2 b No. 1 in D}

The admiral's yarn : song {Rubens : 17/483-2 No. 1 in C}

Adolf {p. voc. + sol-fa: Mills : 17/403.5}

Advanced sight-singing melodies {voc. sc.: Carroll : 19/013}

Adventures in orchestra : for 2nd F horn {Var. Comp. : 35/030-9 2nd F horn}

Advice : song {Carew : 17/113-4 No. 1 in Bb : Chappell}

Ae' fond kiss {p. voc. + sol-fa: Gatty : 16/050-1[64]}

Ae fond kiss : Scotch song {Gatty : 17/210-1 No. 4 in Bb}

Ae fond kiss {from Songs of the North} : old Highland melody {Lawson : 17/331-4}

Ae fond kiss : duet (contr. & bar.) {Diack : Cab/18/047-2}

Affetuoso (Musical sonnets No. 1) {p. solo: Backhaus : 21/021-1}

Affetuoso {from 13 Morceaux} Op. 76 nr. 7 {p. solo: Sibelius : 21/348-8.5(7)}

Affinité {p. solo: Douste : 21/120.5}

After : song {Elgar : 17/178-8 No. 1 in F min}

After the ball {p. voc. + sol-fa: Harris : 17/256.7 a-b : 2 copies No. 1 in G}

Afterday Op. 50 No. 1 {Scott : 17/501-1 No. 2 in C}

Afton water {Hamilton : 17/248-1}

Afton water : Scottish song {p. voc. + sol-fa: Hume : 17/293-1 : 2 copies}

Agamemnon (Aeschylus) {ten. & bass: Parry : 01/063-5}

The Agincourt song {set: sax. quart.: Harvey : 37/634-1 #score only}

Agnus Dei {set: Obrecht-Murray : 38/038[2] #score only}

Agnus Dei (Heavenly Father) {Bizet-Geehl : 17/080-6}

Ah! lo so ... (Ah! I know) {from The Magic Flute} : [sop. aria: Pamina] {Mozart : 17/418-1 a-b : 2 copies}

Ah! rendimi (Give back my love) {from Mitrane} {Rossi : 17/481.5}

Ah! sweet mystery of life (The dream melody) : song {p. voc. + sol-fa: Herbert : 17/283.2-2 [No. 2] in C}

Ah! Let me dream : song {Locknane : 16/050-4 [23] No. 3 in G}

Ah, moon of my delight {from In a Persian Garden} {Lehmann : 17/336-10 No. 1 in F}

Aïda : opera {Verdi : 06/063-1 a}

Aida : compl. arr. for v. & pf {Verdi-Saladino : 06/063-1 b-c : 2 copies : Ricordi}

Aida : opera (concert ed.) {Verdi-Sargent : 06/063-2 a-c : 3 copies}

Aignish (fantasy on a Hebridean folk song) : for SATB chor. w. opt. sop. & alto soli, vn, vc & hpd (or pf) {chor. sc.: Atkinson : Cab/18/008}

Ailean Doon (Harris love lament) {Kennedy-Fraser : 17/316-1}

Ain't we got fun? {Whiting : 17/572-1}

Air {p. solo: Louis XIII (King of France) : 21/224.8}

Air {set: cello & piano: Bach-Wilhelmj : 33/005}

Air (Melody) and Soldier's march {from Album for the Young} Op. 68, Nos. 1& 2 {p. solo: Schumann : 21/330-2}

Air (on the 4th string) {set: violin & piano: Bach-Wilhelmj : 28/002-4}

Air and Rondo {set: oboe & piano: Handel-Rothwell : 36/037-8}

Air and variations in B flat {p. solo: Haydn : 21/170-7}

Air {from the Water Music} : for Bb clar. & piano {set: Bach-Lawton : 36/121(2) [5]}

Air in D minor for organ {Stanley : 40/239}

Air 'O beaux rêves évanouis' {from Etienne Marcel} {set: oboe & piano: Saint-Saëns : 36/083-1}

Air on a G string (Aria from Suite in D major) {p. solo: Bach : 21/018-6}

Air: Tre giorni {set: cello & piano: Rameau-Schröder : 33/051.7}

Airs {Rameau-Indy / Chapuis / Dukas : 09/149}

Airs chantés {sop.: Poulenc : 11/019-1}

  1. Air Romantique 2. Air Champêtre 3. Air Grave 4. Air Vif

Album (12 pieces) Bk 1 Nos. 1-5 {set: cello & piano: Moffat : 33/051(1)}

Album vol. 1 : [6 pieces] {p. solo: Rubinstein : 21/314(1)}

Album [Op. 68] : 56 orig. pieces {p. solo: Schumann-Pauer : 21/332-2 d}

  Includes Advice to young musicians

Album vol.1 : [10 pieces] {set: violin & piano: Var. Comp. : 28/060-1[4]}

Album célèbre vol. 1 : 10 morceaux choisis {cello & piano: Var. Comp. : 33/099(1) : Beal, Stuttard #score only}

  works by Goltermann, Gounod, Hauser, Henselt, Raff, Rubinstein, Spohr and Schumann

Album célèbre vol. 1-3 : [3 x 10 pieces] {set: violin & piano: Var. Comp. : 28/060-1[1-3]}

Album des Six (Auric, Durey, Honegger, Milhaud, Poulenc, Tailleferre) {p. solo: Var. Comp. : Cab/20/190}

Album espagnol Op. 21 : Spanish dances for p. duet {Moszkowski : Cab/22/028-3 a-b : 2 copies}

Album for the young Op. 68 : [43 pieces] {p. solo: Schumann : 21/332-2 a}

Album for the young (Album für die Jugend) Op. 68 : [43 pieces] {p. solo: Schumann : 21/332-2 b-c}

Album for the young Op. 68 : 56 orig. pieces {p. solo: Schumann-Pauer : 21/334-6}

Album klassischer Stücke (Album classique), Bd 1 : [24 songs] {set: violin & piano: Var. Comp. : 28/060-1.5(1)}

Album leaves Op. 28 {p. solo: Grieg : 21/156-1}

Album leaves (Albumblätter) Op. 124 : [20 pieces] {p. solo: Schumann : 21/334-6}

Album leaves (Albumblätter) Op. 124 : [20 pieces] {p. solo: Schumann : 21/334-6[2]}

Album lyrique {Blumenthal : 09/023-1 a-b : 2 copies}

Album of 101 dances : dance tunes for general use {p. solo: Var. Comp. : 20/122}

An album of easy pieces for piano Op. 198 {Zilcher : 21/389}

Album of eight pieces Op. 58 {organ: Harwood : 40/113}

Album of eight songs {Coward : 09/049-1}

An album of four French songs {Var. Comp. : 10/050-8}

Album of Negro spirituals : [26 songs] {Var. Comp. : 10/061-1}

Album of one hundred and one dances : dance tunes for general use {p. solo: Var. Comp. : 20/122}

Album of popular marches : [10 marches] {p. solo: Sousa : 21/355-2 a}

[Album of popular marches] : [14 marches] {p. solo: Sousa : 21/355-2 b b}

Album of six pieces {p. solo: Poulenc : 21/282-1}

Album of 6 pieces {p. solo: Scriabin : 21/340-1}

Album of six Scottish tunes : arr. for 'cello & piano {set: cello & piano: Sharpe : 33/068 #Cello part for Annie Laurie and The drummer only}

  1. Annie Laurie 2. Robin Adair 3. The braes o' Mar 4. The banks o' Allan Water 5. Mary Jamieson 6. Reels (The de'il amang the tailors and The drummer)

Album of ten popular songs {p. solo: Coates : 20/387}

Album of twenty songs (Vingt mélodies) {sop./ ten.: Fauré : 09/071.5-3(1)}

Albumblätter Op. 28 {p. solo: Grieg : 21/156-1.2 : 2 copies : Peters}

Albumblätter (Album leaves) Op. 124 : 20 St?cke {p. solo: Schumann : 21/334-6}

Albumblätter Op. 124 : [20 pieces] {p. solo: Schumann : 21/334-6[2]}

[Albums of songs vols. 1 & 2] {Grieg : 09/081}

Albums of songs vol. 1 : [23 songs] {Grieg : 09/081[1]}

Albums of songs vol. 2 : [20 songs, incl. 6 from 'Reminiscnces of mountain and fiord'] {Grieg : 09/081[2]}

Alceste (ballet) {set: violin & piano: Gluck-Catherine : 28/065-2(3)}

Alexander Nevsky Op. 78 : for choir (SATB) & orch. {Prokofiev : 08/046}

Alexander's feast : ode [for STB soli & SATB] {Handel-Novello : 08/027-2 a-b : 2 copies}

Alfio's song {from Cavalleria Rusticana} : [for low bar.] {Mascagni : 17/387-1 : 2 copies}

Alice; and The Mad Hatter : two pieces for three clarinets {set: Russell-Smith : 37/084 #score only}

Alice blue gown {from Irene} {McCarthy : 17/363}

Alice where art thou : romance {p. voc. + sol-fa: Ascher : 17/017-1 : 2 copies}

All alone {from The Punch-bowl} : waltz song {Berlin : 17/069-10}

All in a garden fair : song {Watson : 16/050-4 [32] No. 2 in F}

All in the April evening : part-song for SCTB {Roberton : Cab/18/129-1}

All jazzed up : trombone solos in treble or bass clef w. p. accomp. {set: Ramskill : 35/070 treble clef}

All jazzed up : oboe solos with p. accomp. {set: Parker : 36/132-2}

All joy be thine : song {Sanderson : 17/488-17 No. 3 in Bb : Boosey}

All my life-time : song {Murray : 17/423-6 No. 2 in F}

All of you {from Silk Stockings} {p. voc. + sol-fa: Porter : 17/455-5}

All people that on Earth do dwell (The Old Hundredth Psalm tune) : [coronation anthem] for choir, cong, orch. & org. {org. + voc. sc.: Vaughan-Williams : 02/128-1 a-b : 2 copies}

Alla Schumann Op. 41/IV/26 {p. solo: Fibich : 21/137[2]}

Allan's ballroom companion : complete repertoire for piano [with sep. violin part] {set: Var. Comp. : 28/061-3}

Allan's collection of reels and strathspeys, etc. : [106] Highland schottisches, jigs, hornpipes, etc {p. solo: Var. Comp. : 20/142-1 a-b : 2 copies}

Allan's collection of reels and strathspeys, etc. : new and enlarged edition {p. solo: Var. Comp. : 20/142-1 c : 2 copies}

Allan's collection of reels & strathspeys, etc. : [129] Highland schottisches, jigs, hornpipes, etc {fiddle: Var. Comp. : 26/010}

Allan's 110 songs of Scotland (without words) {p. solo: Var. Comp. : 20/142-2}

Allan's Irish fiddler : 120 reels & jigs, hornpipes & set dances {Var. Comp. : 26/011}

Allan's 'Morven' collection of Scottish Songs : [121 songs w. p. acc.] {p. voc. + sol-fa: Var. Comp. : 10/017-4}

Alle meine Walze Teil 1 : grosses Walzer-Potpourri {p. solo: Var. Comp. : 20/123(1)}

L'Allegra Op. 24 No. 2 {p. solo: Bache : 21/020-1}

Allegretto {from Symphonie no. 3} : [organ solo] {Brahms-Killmaster : 40/067}

Allegretto from the Piano Quartet no. 2 K 493 {set: p. duo: Mozart-Carner : 22/031-18(3) : Augener}

Allegretto grazioso {organ: Tours : 40/248}

Allegretto in B minor {organ: Lemare : 40/146-3}

Allegro appassionato Op. 43 {set: cello & piano: Saint-Saëns : 33/060-1}

Allegro appassionato Op. 4 {p. solo: Scriabin : 21/340(1) [4]}

Allegro con brio {from Sonata in C major} {p. solo: Haydn : 21/288-3(5)}

Allegro de concert, Barcarolle, Berceuse, Boléro {p. solo: Chopin : 21/080-1 a}

Allegro de concert Op. 18 {p. solo: Scriabin : 21/340(2) [18]}

Allegro de concierto {p. solo: Granados : 21/154-2}

Allegro from Sonatina in G Op. 20 No. 2 {p. solo: Kuhlau : 16/050-2 [11]}

L'Allegro, il pensieroso ed il moderato {Handel-Monk : 08/028-1}

Allegro marziale {trump. & piano: Van de Moortel : 35/096 Bb trumpet}

Allegro spiritoso {set: cello & piano: Senaillé-Salmon : 33/066-3}

Alleluia! : joyous Easter hymn (17th Century) {O'Connor-Morris : 17/433.8 No. 2 in Eb (orig. accomp.)}

Alleluia. I heard a voice : anthem for 5 v. (Rev. 5:12,13) {org. + voc. sc.: Weelkes : Cab/02/134}

Alleluja {from Exsultate, jubilate} {sop.: Mozart : 05/013-2}

Allelujah {from Exultate, jubilate} {Mozart : 17/419-12}

L'Almanach aux images : 8 pièces de piano {Grovlez : 21/160 a-b : 2 copies}

Almond blossoms {from Moon Magic} {Arundale : 10/045-8.1[16] No. 2 in F}

Alone {from A NIght at the opera} {p. voc. + sol-fa: Brown : 17/105-3}

Along the dusty road : song {Simpson : 17/518-2 No. 1 in F}

L'alouette {p. solo: Glinka-Balakirev : 21/151.6}

Als die alte Mutter (Songs My Mother Taught me) Op. 55 No. 4 : Lied aus den Zigeuner-Melodien {Dvorák : 17/174-1.1 low v.: B}

Alte Meister, Bd 1 : Sammlung wertvoller Klavierstücke des 17. und 18. Jahrh. {Var. Comp. : 20/001(1)}

Alte Meister des bel canto, Bd 1 : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [29 songs, mainly sop.] {Var. Comp. : 11/032.5(1)}

Alte Meister des Bel Canto, Bd 2 : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [21 songs, mainly sop.] {Var. Comp. : 11/032.5(2)}

Alte Meister des bel canto, Bd [3] : eine Sammlung von Arien, Kanzonen, Kanzonetten &c [17 songs, mainly sop.] {Var. Comp. : 11/032.5(3) #inc. sep. cello & violin parts}

Alte Meister des Orgelspiels, N. F. Teil 1 : [16 pieces] {Var. Comp. : 40/031-11(N1)}

Altenglische Klaviermusik aus dem Mulliner-Book : [14 pieces] {Var. Comp. : 20/021}

  Works by Allwood, Blitheman, Churchyard, Mulliner, Munday, Newman, Redford and Tallis

Ein alter Traum (An old dream) {White : 17/571(2) No. 1 in G}

Alternative versions of the Chorale preludes Op. 122 nos. 2 and 5-7 {organ: Brahms-Bunjes : 40/067-3}

Always Argyll {McCrone : 17/363.5}

Always in my heart {p. voc. + sol-fa: Lecuona : 17/333.5}

Always with my heart : song {Ray : 17/466-1 a No. 1 in C}

Always with my heart : song {Ray : 17/466-1 b No. 2 in Eb (orig.)}

Always young {from Wedding in Paris} {p. voc. + sol-fa: May : 17/390-3}

Amahl and the night visitors : opera {Menotti : 06/027-1}

Amberley Wild Brooks {p. solo: Ireland : 21/194-2(2) a-b : 2 copies}

The American organ journal, vol. 5 : 37 sacred & secular pieces {Var. Comp. : 45/030-6}

Amoretten Tänze (valse) {set: cello: Gung'l-Winter : 33/079[3] #cello part only}

Amour! Viens aider ma faiblesse! {from Samson et Dalila} : [for mez. & orch.] {orch. sc.: Saint-Saëns : 43/007-1 #no sep. parts}

Amyntas with his Phyllis fair {set: sax. quart.: Pilkington-Harvey : 37/690-2[7] #score only}

An den Frühling Op. 43 No. 6 {p. solo: Grieg : 21/156-2 a-b : 2 copies}

An den Geliebten (To the beloved) {White : 17/571(3) No. 2 in G min}

An der Quelle (U fontana) Op. 46 no. 1 {p. solo: Arensky : 21/010.8[1]}

[An der Quelle; and Barcarolle] {p. solo: Arensky : 21/010.8}

Anacreon's grave (Anakreons Grab) {Wolf : 17/588-1 [No. 2 in] G}

Anchored! : [song] {Watson : 16/040 [5/1] [in G]}

Anchored! : song {Watson : 10/045-4[26] No. 2 in G}

Anchors aweigh : song of the Navy {p. voc. + sol-fa: Zimmermann-Savino : 17/605-1}

The ancient mariner : cantata {Barnett : 01/013 a-b : 2 copies : Novello, Ewer}

The ancient mariner : cantata {Barnett : 01/013 c : Hutchings & Romer}

And this is my beloved {from Kismet} : based on themes by Alexander Borodin {p. voc. + sol-fa: Wright / Forrest : 17/594.6 a-b : 2 copies}

An Andalusian maid : song {Philp : 16/050-5 [39] No. 2 in D}

Andaluza {from 12 Danzas españolas} {p. solo: Granados : 21/154-3(5) a-b : 2 copies}

Andaluza {Danza española no. 5} {p. solo: Granados : 21/154-3(5) c : Union Musical}

Andante {organ: Lott : 40/151(1)}

Andante and Finale from Rhapsody in Blue {set: sax & piano: Gershwin-Beeler : 37/631-1}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 a-e : 5 copies : Walsh, Holmes}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 f : Forsyth Bros.}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn : 21/236-1 g-h : 2 copies : Wood}

Andante and rondo capriccioso Op. 14 {p. solo: Mendelssohn-Corder : 21/236-1 i : Murdoch, Murdoch}

Andante and rondo capriccioso Op. 14 {set: p. duo: Mendelssohn-Rée : Cab/22/026}

Andante and variations in F minor {p. solo: Haydn : 21/170-10}

Andante cantabile : for violin (or treble recorder or flute) & piano {set: Tartini-Ticciati : 28/046.5}

Andante cantabile {set: cello & piano: Dittersdorf-Trowell : 33/023}

Andante e scherzo {set: violin & piano: Roloff : 28/065-3(9) #score only}

Andante et scherzo : for sax. quart. (SATB) {set: Bozza : 37/610-1 #parts only}

Andante et scherzo capriccioso Op. 16 {set: violin & piano: David-Heim : 28/012.5}

Andante from Trio sonata for organ No. 4 {p. solo: Bach : 21/017-1}

Andante from Violin concerto Op. 64 {set: violin & piano: Mendelssohn : 28/031.8-1}

Andante grazioso {set: violin & piano: Young : Cab/28/059-1 #lacks sep. cello part}

Andante in F {from the Clavier sonata in D minor} {set: p. duo: Bach-Scott : Cab/22/003-11}

Andante in F : for organ {Wély, : 40/180[2]}

Andante in F {p. solo: Beethoven : 21/027-4}

Andante sostenuto in E flat Op. 72 No. 2 {p. solo: Mendelssohn : 16/050-2 [12]}

Andante with variations; and Allegro in B flat (posthumous) {organ: Mendelssohn : 40/167-3}

Andante {from Grande Pièce Symphonique} {set: sax. quart.: Franck-Cailliet : 37/690-3[6] #score only}

Andantino {set: violin & piano: Martini-Kreisler : 28/031-8 a-c : 3 copies}

Andantino Op. 24 Nr 7 {from Zehn Stücke} {p. solo: Sibelius : 21/348-9(7) a-b : 2 copies}

Andantino in B flat & Polacca in F {p. solo: Kuhlau : 21/211-2}

Andantino in D flat {organ: Lemare : 40/146-1 a-b : 2 copies}

Ange adoré : romance {Benedict : 10/045-5[18]}

L'ange gardien {organ: Lott : 40/151(14)}

Angels guard thee {from Jocelyn} : berceuse {Godard : 10/087[6] No. 1 in Bb}

Angels guard thee {from Jocelyn} : berceuse, w. violin & cello acc. ad lib. {set: Godard : 17/222.2 a No. 4 in Eb}

Angels guard thee {from Jocelyn} : berceuse, w. violin & cello acc. ad lib. {set: Godard : 17/222.2 b No. 2 in C #score only}

Angels guard thee (Berceuse de Jocelyn) : duet (cover: for sop. & bar.) {Godard-Newton : Cab/18/065 a}

Angels guard thee (Berceuse) : voc. duet for sop. & bar. (cover) {Godard-Newton : Cab/18/065 b}

Les anges pleurent! : rondel {Bemberg : 17/056-1 No. 1}

Angus Macdonald : song {Roeckel : 17/479-2 a No. 1 in C}

Angus Macdonald : song {Roeckel : 17/479-2 b No. 2 in D}

The Anna Magdalena Bach Book of 1725 : 26 works by JS, JC and CPE Bach, Couperin, Hasse, Petzold et al {Bach : 20/176}

Annabelle Lee : song {Leslie : 17/342 [No. 2] in G (orig.)}

Années de pèlerinage {p. solo: Liszt : 21/218-4}

Années de pèlerinage 'Italie' {p. solo: Liszt : 21/218-4(2)}

Années de pèlerinage 'Suisse' {p. solo: Liszt : 21/218-4(1)}

Années de pèlerinage 'Venezie e Napoli' {p. solo: Liszt : 21/218-4(3)}

Anneliese Rothenberger's favourite sop. arias : [7 pieces] {Lehár : 11/013 a-b : 2 copies}

Annen Polka [Op.117] {set: cello: Strauss-Winter : 33/070[5] #cello part only (p'copy)}

Annie Get Your Gun {Berlin : 07/004-1}

Annie Laurie {p. voc. + sol-fa: Scott (Lady John Douglas) : 16/050-1[50]}

Annie Laurie : arr. for TTBB {Scott (Lady John Douglas) : Cab/18/145 a-d : 4 copies}

Anniversary song (Oh! how we danced) {p. voc. + sol-fa: Chaplin : 17/116.7}

Ann's cradle song {Gibbs : 17/219-11}

The anthem book of The United Free Church of Scotland {choir: Var. Comp. : 02/201 a-b : 2 copies}

The anthem book of The United Free Church of Scotland {sol-fa only: choir: Var. Comp. : 44/050-1}

Anthems for choirs, 1 : fifty anthems for mixed voices {org. + voc. sc.: Var. Comp. : 02/214(1) : OUP}

Anthology of sacred song, vol. 4 - Bass : celebrated arias from selected oratorios {Var. Comp. : 14/018 : Schirmer}

An anthology of song : [50 compositions] {Var. Comp. : 10/047 a-b : 2 copies #a: lacks covers}

Anything you can do {from Annie Get Your Gun} {Berlin : 17/069-4 a-b : 2 copies}

The Apostles Op. 49 : oratorio {SATB choir: Elgar : 08/019-1 a-c : 3 copies}

Apparebit repentina dies : for mixed chor. & brass. instr. (1947) {Hindemith : 02/058}

The apple tree fairy Op. 53 No. 4 : song {Phillips : 17/448-10 No. 2 in F}

Après un rêve (After a dream) {low v.: Fauré : 17/188-1 b}

Après un rêve {set: violin & piano: Fauré : Cab/28/019.5 #score only}

Après un rêve : pour violoncelle (ou violon) et piano {set: Fauré-Casals/Bachmann : 33/029-3 a}

Après un rêve : for cello (or viola) & piano {set: Faur?-Casals/Bachmann : 33/029-3 b}

April Op. 14 No. 2 {Quilter : 09/147-3[2]}

April {p. solo: Ireland : 21/194-3(1)}

April is a lady Op. 41 No. 4 : song {Phillips : 17/448-1 a-b : 2 copies No. 2 in Eb}

April is in my mistress' face {set: sax. quart.: Morley-Harvey : 37/690-2[9] #score only}

April morn : vocal waltz {Batten : 10/045-8.1[10]}

April showers {from The Jolson Story} {p. voc. + sol-fa: Silvers : 17/517 a-b : 2 copies}

Arabella Op. 79 : lyrische Komödie {Strauss : 06/055-1}

Arabeske Op. 18 {p. solo: Schumann : 21/330-3 : Peters}

Arabesque {from 13 Morceaux} Op. 76 nr. 9 {p. solo: Sibelius : 21/348-8.5(9)}

The Arcadians : fantastic musical play {Monckton / Talbot : 07/023-1 a-c : 3 copies #c: marked up copy (W. Jolly)}

The Arcadians : fantastic musical play {libr.: Monckton / Talbot : 03/089 a-c : 3 copies}

The Arcadians : fantastic musical play {p. solo: Monckton / Talbot-Higgs : 21/248-3}

Arcady is ever young {from The Arcadians} : song {Monckton : 17/408-3 No. 2 in Eb}

Are We Downhearted? No! {p. voc. + sol-fa: Wright : 17/594.5}

Aria Op. 7 {set: cello & piano: Damase : 33/021.7}

Aria Op. 51 {organ: Peeters : 40/189-1}

Aria [for B-clarinet & piano] {set: Roussel : 36/082.3}

Aria {set: cello & piano: Tenaglia-Squire : 33/069-3 [5] #lacks cello part}

Aria and allegretto for oboe and piano {set: Richardson : 36/081.7}

Aria di chiesa : preghiera {sop./ ten.: Stradella : 17/534 Eb}

Aria (from Concerto in F minor) {set: p. duo: Bach-Horne : Cab/22/003-1}

Aria from the Birthday cantata {p. solo: Bach-Howe : 20/999[2] a-b : 2 copies}

Aria [in F minor] : [arr. for violin (or cello) & piano] {set: Tenaglia : Cab/28/048.5 #sep. violin & cello parts}

Arias : 15 songs {Puccini : 13/069}

Arias from operas for soprano vol. 3 : [10 songs] {Mozart : 11/015-1(3) : 2 copies}

Arias from operas for soprano vol. 4 : [10 songs] {Mozart : 11/015-1(4)}

Arie aus 'Orpheus' : [arr. for violin (or cello) & piano] {set: Gluck-Moffat : Cab/28/022.5 #sep. violin & cello parts}

Arie da camera : [31 pieces for sop./contr.] {Pergolesi : 11/018}

Arie der Johanna: Lebt wohl, ihr Berge {from Die Jungfrau von Orleans} {Tchaikovsky : 10/045-8.2[1]}

Arien-Album : Sammlung berühmter Arien fur Mezzo-Sopran [Bd 1] {Var. Comp. : 11/030(1)}

  25 arias

Arien-Album : Sammlung berühmter Arien fur Mezzo-Sopran [Bd 2] {Var. Comp. : 11/030(2)}

  30 arias

Arien und Choräle : für Trompete und Orgel {set: Bach-Kraus : 35/003 #score and parts}

Arietta {p. solo: Foster : 21/143.5}

Arioso {organ: Bach-Alphenaar : 40/051-8}

Arioso {p. solo: Bach : 21/016-9}

Arioso : [arr. for violin (or cello) & piano] {set: Bach-Franko : 28/002-8 #sep. violin & cello parts}

Arioso : for oboe & piano {set: Fiocco-Bent-O'Neill : 36/026.1}

Arise, O Sun : song, w. organ accomp. {Day : 17/151 a No. 3 in F}

Arise, O Sun : song, w. organ accomp. {Day : 17/151 b No. 4 in Gb}

Arise, O Sun : song, w. organ accomp. {Day : 17/151 c-e : 2 copies No. 2 in Eb}

Arise, O Sun : voc. duet {mez. & contr./ bar.: Day : Cab/18/041 a : 3 copies No. 5 in Db}

Arise, O Sun : voc. duet {mez. & contr./ bar.: Day : Cab/18/041 b-c : 2 copies No. 6 in Eb}

Arise, ye subterranean winds {from The Tempest} : song {Purcell : 10/089[17]}

Arlequine Op.53 {p. solo: Chaminade : 21/076-8}

L'Arlésienne suite No. 1 {p. solo: Bizet : 21/041}

Armide (Andante et Musette) {set: violin & piano: Gluck-Catherine : 28/065-2(5)}

Arran homing song {Noble : 17/429}

Arrival of the Queen of Sheba {from Solomon} {p. solo: Handel- Müller-Hartmann : 21/166-0 a-b : 2 copies}

Arrival of the Queen of Sheba {from 'Solomon'} {p. duet: Handel-Weismann : Cab/22/021-1 a : 2 copies : Hinrichsen}

Arrival of the Queen of Sheba {from 'Solomon'} {set: p. duo: Handel-Easdale : Cab/22/021-1 b-d : 3 copies : OUP #c,d: Piano 1 score only}

The arrow and the song : serenade {Balfe : 17/026-4 [in A]}

L'art de la fugue {p. solo: Bach : 20/090[2]}

The art of finger dexterity Op. 740 {p. solo: Czerny-Dunhill : 23/017-5 a-b : 2 copies}

The art of phrasing Op. 16 (Progressive studies, Bk 4) : 24 studies through all keys {p. solo: Heller : 21/176-9}

The art of song {Var. Comp. : 10/096(3) Gr 1-3, high v.}

Art thou troubled? {from Rodelinda} {Handel : 17/250-4 a high in Ab}

Art thou troubled? {from Rodelinda} {Handel : 17/250-4 b-c : 2 copies med. in F}

As ever I saw {Warlock : 10/088[6] low: Db}

As ever I saw {Warlock : 17/563-7 high: Eb}

As I lay in the early sun {Gibbs : 17/219-3 med. v.}

As long as he needs me {from Oliver} {Bart : 17/039-1.3}

As the hart pants (42nd Psalm) Op. 42 : [cantata] {Mendelssohn : 01/058-1 a-b : 3 copies}

As the hart pants (42nd Psalm); and Twenty-four four-part songs (SATB) {Mendelssohn : 15/041-2}

As when the dove {from Acis and Galatea} : song for sop. v. {Handel : 17/252-9 [Key of C] : Novello}

Ascendit Deus (The Lord ascendeth) : motet for 5 v.(TrTrATB) {Philips : 05/015-2}

L'Ascension : quatre méditations symphoniques {organ: Messiaen : 40/171-1}

The ash grove : Welsh folk-song arr. for SATB {Dunhill : Cab/15/029-1}

The ash tree : song {MacCunn : 17/364-4 No. 1 in F}

Asleep in the deep : bass song {Petrie : 17/447.5 No. 1 in D}

Assertions {p. solo: Norris : 21/262.2}

Asthore (darling) : song {Trotère : 16/050-5 [40]}

At a country fair Op. 16 no. 3 {p. solo: Quilter : 21/287-1 #photocopy - for reference only}

At Columbine's grave : song {Shaw : 17/510-6 a-b : 2 copies A min}

At evening {organ: Buck : 40/180[3]}

At eventide : song {Moir : 16/040 [3/10]}

At love's beginning : duet for sop. & bar. {Lehmann : Cab/18/085 a-c : 3 copies No. 1 in G}

At the end of the day {O'Keefe : 17/437.5 a-b : 2 copies No. 1 in Eb}

At the foot of the Cross (Stabat Mater) Op. 58 {SATB choir: Dvorák : 08/017-1 a-c : 3 copies}

At the mid hour of night {Raphael : 17/465.25}

At the well {Hageman : 17/241-2 [No. 1] H. v.}

Au bord d'une source {p. solo: Liszt : 21/218-6 a-b : 2 copies}

Au fond du temple saint {from The Pearl Fishers} : duet (ten. & bar.) {Bizet : Cab/18/023}

Au printemps : valse de salon {p. solo: Thomé : 16/050-2 [2]}

Au rossignol : harmonie poetique {sop./ ten.: Gounod : 17/224-1 No. 3 in ?}

Aubade {from Le Roi d'Ys} {Lalo : 10/045-6[14]}

Aubade {Lalo : 17/327-2}

Auf dem Wasser zu singen (To be sung on the waters) Op. 72 {Schubert : 17/496-12 [high v.]}

Auf Flügeln des Gesanges Op. 67 {p. solo: Heller : 21/176-1}

Auf Flügeln des Gesanges [from Mendelssohn] {p. solo: Mendelssohn-Liszt : 21/218-6.5}

Auf Wiederseh'n (We'll meet again) {White : 17/571(1) No. 2 in Bb}

Aufforderung zum Tanz (Invitation to the Dance) Op. 65 {p. duo: Weber-Weingartner-Rihm : Cab/22/058-2 a-b : 2 copies : Boosey & Hawkes}

Aufforderung zum Tanz Op. 65 (Collection Litolff 1567) {2 p. : 8 h.: Weber-Gabriel-Marie : Cab/22/058-6 #Piano 1 score only}

Aufforderung zum Tanze Op. 65 : rondo {p. solo: Weber : 20/014[7]}

The auld fisher {MacCunn : 17/364-1 a}

The auld fisher {MacCunn : 17/364-1 b C min}

The auld hoose : old Scottish air {p. voc. + sol-fa: Trad. : 16/050-1[61]}

The auld Scotch sangs {p. voc. + sol-fa: Leeson : 17/334 a : Bayley}

Auld Scotland : song (set to an old Gaelic air) {Lemon : 16/050-3 [15]}

Un' aura amorosa (The breezes that murmur) {from Così Fan Tutte} : [ten. aria: Ferrando] {Mozart : 17/418-2 No. 1 in G}

Aus banger Brust (O wert thou here) Op. 50 No. 4 : with additional Swedish & Finnish text {Sibelius : 17/514-1 high v. (orig.)}

Aus dem Volksleben Op. 19 : [3] Humoresken {p. solo: Grieg : 21/159-9}

  1. Aug den Bergen 2. Norwegischer Brautzug 3. Aus dem Carneval

Aus Holberg's Zeit Op. 40 : suite im alten Style {p. solo: Grieg : 20/008[2]}

Ausgewählte Orgelwerke : Praeludien und Fugen, Toccata, Passacaglia, Ciacona, Canzonetta {Buxtehude : 40/071-2(1)}

Ausgewählte Claviercompositionen {Chopin : 21/078-3.2}

Ausgewählte Kompositionen {p. duet: Weber-Horn : 22/058}

  Grande polonaise, Op.21; Rondo brillante, Op.62; Aufforderung zum Tanze, Op.65; Polacca brillante, Op.72

Ausgewählte Lieder, Bd 1 : [51 songs] {Brahms : 09/025-8.5(1) a-b : 2 copies high v.}

Ausgewählte Lieder, Bd 1 : [51 songs] {Brahms : 09/025-8.5(1) c low v.}

Ausgewählte Lieder und Gesänge : [27 songs] {Friedlaender : 09/095-2 high v.}

Ausgewählte Opern-Arien, Bd 2 : [44 songs] {sop.: Var. Comp. : 11/040-5(2)}

Ausgewählte Orgelwerke Bd 2 {Walther : 40/263(2)}

Ausgewählte Solostücke : from Opp. 11, 23, 33, 39, 54 & 55 {set: cello & piano: Popper : 33/053 #score only}

  1. Mazurka 2. Gavotte 3. Tarantelle 4. Elfentanz 5. Vito 6. Spinnlied

Auswahl aus . . . Kompositionen {p. solo: Bach : 20/090[3]}

Automne Op. 35 : grande étude de concert {p. solo: Chaminade : 21/076-5 a-b : 2 copies}

Autumn crocus : idylle {p. solo: Mayerl : 21/230}

Autumn days : song {Willeby : 17/575-1 No. 2 in Eb}

Autumn evening Op. 14 No. 1 {Quilter : 09/147-3[1]}

Autumn thoughts Bk 1 : [8] short pieces for the piano {Rebikov : 21/298-1(1)}

L'Avalanche Op. 45 No. 2 {p. solo: Heller : 21/176-7}

Ave Maria Op. 4 : for chor. of fem. v. w. [sop. & alto] solos & orch. {Huss : 01/052}

Ave Maria : song (founded on Intermezzo from Cavalleria Rusticana) {Mascagni : 10/045-5[10] No. 2 in Eb}

Ave Maria : sacred song, with violin or 'cello & org. accomp. ad lib. {Mascheroni : 10/045-5[4] No. 1 in C #both violin & cello parts incl.}

Ave Maria : for mez., violin or violoncello solo, p. & org. {set: Bach-Gounod : 10/045-9[11] No. 2: mez. (F) #No English words!}

Ave Maria {sop./ ten.: Bach-Gounod : 17/224-3 a No. 6 (G) : Schott}

Ave Maria {contr.: Bach-Gounod : 17/224-3 b No. 8 in D : Schott}

Ave Maria {bar.: Bach-Gounod : 17/224-3 c [No. 9] Eb : Wood}

Ave Maria : for mez., violin or violoncello solo, p. & org. {set: Bach-Gounod : 17/224-3 d No. 2: F : Schott}

Ave Maria : meditation / sacred song {mez.: Bach-Gounod : 17/224-3 e No. 3 in F : Ricordi}

Ave Maria : meditation / sacred song : for sop./ten., violin or violoncello solo, p. & org. {set: Bach-Gounod : 17/224-3 f No. 1 in G : Schott}

Ave Maria : sop. solo {Cherubini : 17/119}

Ave Maria : sacred song {Head : 17/266-1 No. 2 in C min}

Ave Maria Op. 80 {Luzzi : 17/360}

Ave Maria {adapt. from Cavalleria Rusticana} {Mascagni : 17/387-2 a-b : 2 copies}

Ave Maria : hymne an die Jungfrau {Schubert : 10/045-6[5] [No. 1 in] Bb : Augener}

Ave Maria : song {Schubert : 17/496- 2 a [No. 2 in] Ab : Wood}

Ave Maria {Schubert : 17/496-2 b : Walsh}

Ave Maria {Schubert : 17/496-2 c : Cramer}

Ave Maria {p. solo: Schubert-Liszt : 21/218-7}

Ave Maria (Méditation sur le 1er Prélude de J.S. Bach) {p. solo: Gounod : 21/152.2-2 : Schott}

Ave Maria (Spirit Eternal) {p. voc. + sol-fa: Gounod : 17/224-4}

Ave Maria op. 52 No. 6 : [for violin (or cello) & piano] {set: Schubert-Palaschko : 28/044-5}

Ave Verum {set: cello & piano: Mozart-Squire : 33/069-3 [6] #lacks cello part}

Ave Verum Corpus (Hail, O Hail, True Body) : motet for four v. {Byrd : 05/003-1}

Ave Verum Corpus {set: sax. quart.: Mozart-Hudadoff : 37/690-3[9] #score only}

Ave verum KV 618 : [for violin (or cello) & piano] {set: Mozart-Palaschko : 28/033-6}

Avola : one-step {p. solo: Williams : 21/379.5-1}

Awake, sweet love {SATB choir: Dowland : 05/005}

Awake! : serenade (voc. duet) {sop. & contr./ bar.: Pélissier : Cab/18/117 No. 1 in F}

Away to Twiver {Warlock : 17/563-8}

Ay, ay, ay! : Spanish serenade {Pérez Freire : 17/445.8}

Ayre and Gavot {organ: Arne-Wall : 40/048-1}

 

414 titles